被遗忘的小提琴家资料集（部分） [复制链接]

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（一）
VIOLINISTS
•  JOSEPH JOACHIM (1831-1907)- very idyosyncratic playing. At times laughable with today's 21st century standards. Intonation on the whole not bad, no use of vibrato but very rhythmic playing. He is a tad brash with his chords, and I am sure he used staccato bowing in one passage. The best piece is the Brahms Hungarian dance. His technical abilities shine through here.
-PAVILION RECORDS: OPAL CD 9851: The complete recordings 1903:Bach: Partita in B minor: Bourree; Sonata in G minor: Adagio; Brahms: Hungarian Dance no 1 and No 2.
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: 1903:Bach: Partita in B minor: Bourree; Brahms: Hungarian Dance No 2.
-SYMPOSIUM 1071: Bach: Prelude G minor, Bourree in B minor (1903)
•  PABLO DE SARASATE (1844-1908) Spanish virtuoso- great to be able to hear him playing his own music.
-PAVILION RECORDS: OPAL CD 9851: The complete recordings 1904: Sarasate: Ziguenerweisen op 20 no 1; Capricio Vasco; Capricio Jota; Tarantella; Miramar (Zortzico); Habanera; Zapateado; Chopin Nocturne in E flat (arr. Sarasate); Bach: Prelude in E major.
•  HUGO HEERMAN (1844-1935)
-SYMPOSIUM 1071: Bach Prelude; Ernst: Nocturne in E (1909). Quite energic playing in the Bach. The Ernst is very lyrical and virtuosic with lots of portamenti. The orchestra's intonation is aweful.
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Ernst: Nocturne in E major op 8 (1910)
•  LEOPOLD AUER (1845-1930) - violinist and great violin pedagogue of the late 19th and early 20th century, teacher of Elman and Heifetz amongst others, and author of 'Violin playing as I teach it'.
-SYMPOSIUM 1071: Tchaikovsky: Melodie Op 42 no 3; Brahms: Hungarian No 1 (arr. Joachim) (1920)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Brahms: Hungarian No 1 (arr. Joachim) Tchaikovsky: Melodie Op 42 no 3 (arr. Whilhelmj)
•  PAUL VIARDOT (1857-1941)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Saint-Saens: Prelude to 'La Deluge' (1902)
•  EUGENE YSAYE 1858-1931 - This Belgian violinist certainly had style in his playing as evidenced by his recordings. A bridge between the 19th century way of violin playing, you can certainly hear the portamentos and slides. Technically I think he is better than many of the old violinists and his playing is full of sentiment. It is wonderful opportunity to hear him play his own music - the Mazurka in B minor op 11 no 3 "Lointaine passe and his Reve d'enfant op 14. Shame I do not have a recording of his solo Sonatas. His playing certianly stands out. Many years ago his biography on Paganiniana Press, and in Yehudi Menuhin's 'Unfinished journey', he mentioned that he had lessons or played to Ysaye who commented that Menuhin needed to practise his scales!
-MAGIC TALENT LABEL CD 48057: A VIOLIN RECITAL: works by Brahms, Chabrier, Kriesler, Mendelssohn, Schubert, Vieuxtemps, Wagner, Wieniawski, Schumann, Dvorvak, Faure and Ysaye himself. An interesting recital. The recordings date from 1912-1914. The playing is certainly 'dated' and the intonation is not always accurate but it is good playing.
-PAVILION RECORDS: OPAL CD 9851: Chabrier: Scherzo-Valse; Faure: Berceuse; Mendelssohn Concerto op 64 (III); Wieniawski: Mazurkas (Obertass and Dudziaiz); Brahms: Hungarian Dance no 5. Recorded in 1912. Certainly 'Titanic' playing but far from sinking!! :-)

（二）
•  JENO HUBAY (1858-1937)- Has written a few works for violin, many of the pieces are rarely heard on the concert platform as they used to.
-SYMPOSIUM 1071: Hubay: Czarajenelet 12 (1929) soulful playing
•  TIVIDAR NACHEZ (1859-1930) A Hungarian violinist. I have played his editions of Vivaldi's double concerto in A minor published by Schott.
-SYMPOSIUM 1071: Schumann: Traumerei (1912). Lots of surface noise. Plays with lots of portamenti
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Schumann: Traumerei (1912).
•  BERNHARD DESSAU (1861-1923) German violinist. Teachers: Schradieck, Joachim and Wieniawski.His Mazurka is simply charmingly played by him.
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Dessau: Mazurka in E minor op 11 no 2.
•  LEOPOLD LICHTENBERG - (1861-?) American violinist taught by Wieniawski
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Schubert: Serenade. (1921). The tempo is rather slow and the piano accompaniment sounds rather choppy.
•  MARIE SOLDAT (1864-1955) Viennese violinist who famously premiered Brahm's violin concerto in Vienna. She was later known as Marie Soldat-Roeger when she was married
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Spohr: violin concerto no 9: Adagio op55 (1920)
•  JOHN DUNN (1866-1940) An English violinist who also used the performance name of Ivan Donovitch
-SYMPOSIUM 1071: Sarasate: Zapateado (1909) The technical detail is here
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Paganini Caprice in B flat op 1 no 13
•  BERNARD MOLIQUE CARRODUS (1866-1935) English violinist, and son of Tiplady Carrodus
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD
•  KAROL GRIGOROWICH (1867-1921)Polish violinist who was also known as Carl Grigororvich and Charles Gregoriwitsch.
-SYMPOSIUM 1071: Wienawski: Obertass (1909) He brings out the character of the piece
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Mazurka Op 19 no 1 (1910)
•  FINI VALDEMAR HENRIQUES (1867-1940)Danish violinist
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Svendsen Romance op 26 (1912)
•  FRANTISEK DRDLA (1868-1944)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD:
•  MAUD POWELL (1868-1920) American violinist
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD:
•  WILLY BURMESTER (1869-1933) German violinist. Studied with Joachim. I understand that he was renown in his day for his short arrangements of pieces which became known as 'Burmesterstucke'
-SYMPOSIUM 1071: Bach Gavotte and Air (arr. Burmester). Very rhythmical playing but with piano accompaniment. Nice crisp bowing.
•  ALFREDO D'AMBROSIO (1871-1914)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD:
•  CARL FLESCH (1873-1944)- violinist, teacher and author of the 'Art of Violin Playing' and 'Violin Fingering its theory and practise'. Flesch was a reknown teacher of Szymon Goldberg, Norbert Brainin, Bronislav Gimpel, Ivry Gitlis, Ida Haendel, Nannie Jamieson, Georg Kulenkampff, Ricardo Odnopossoff, Yfrah Neamann, Aida Stucki, Henri Temianka, Henryk Szeryng, Josef Wolfsthal, Max Rostal and Ginette Neveu to name but a few.
-SYMPOSIUM LABEL: 1032/3/4. These are the only recordings of him that I know of. There is alot of surface noise. They are however a real treat to lsiten too. The intonation is a bit off, and his playing does not seem to be as good as other violinsists of the same era such as Ysaye and David Oistrakt and Yehudi Mennuhin.
•  HENRI MARTEAU (1874-1934) French violinist
-SYMPOSIUM 1071: Sarasate: Carmen concert Fantasie. He takes his time at the ends of phrases, clean playing and the flagolets are not so clear when he speeds up.
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Brahms Hungarian Dance NO 6 in E flat (1929)

（三）
•  FRITZ KREISLER (1875-1962)- I really enjoy listening to Kreisler although the playing is rather dated in style. It is certainly interesting to hear him play his own compositions. He was a fine piano player as well. I am fortunate to have many of the Biddulph recordings of his playing which are simply delightful. I think many current concert violinists can learn from his playing.
-BIDDULPH LAB 009-10: The Kreisler Collection: The 1904 G & T and 1911 HMV solo recordings - CD1 - Bach: Prelude in E, Air on a G string; Sulzer: Sarabande; Francois Schubert: The Bee; Tcahikovsky: Chanson sans paroles; Kreisler: Aubade provencale 'in the style of Couperin', Chanson Louis XIII and Pavane 'in the style of Couperin'; La Precieuse 'in the style of Couperin', Scherzo 'in the style of Dittersdorf', Allegretto 'in the style of Boccherini', La Chasse 'in the style of Cartier', Liebesfreud, Liebeslied, Tambourin Chinois, Caprice Viennois; Bach: Gavotte in E; Brahms Hungarian Dance No 5; Cottenet: Chanson meditation. With Hugo Kreisler on cello and Fritz Kreisler accompanying on piano: Gabriel-Marie: La Cinquantaine; Rubinstein: melody; Drigo; Serenade; Chaminade: Serenade Espagnole; Hugo Kreisler: Viennese Folk Song Fantasy. CD2- Pergolese: Nina; Beethoven: Minuet in G, Andante in F; Schumann: Abendlied; Wagner: Preislied; Jeral: Serenade; Kreisler: Marche miniature Viennoise, Syncopation; Londonerry Air; Mozart Violin Conerto no 4 in D K218; Bruch violin concerto no 1 in G minor.
-BIDDULPH LAB 016: 'Kreisler & Thibaud play Mozart'. Mozart Concerto no 4 in D K218. (11 Feb 1939)
-BIDDULPH LAB 019: The first Victor Recordings with George Falkenstein: Smetana: Bohemian Fantasy; Massentet: Meditation; Dvorak: Humoresque; Foster: Old Folks at Home; Kreisler: Caprice Viennois, Liebesfreud, Variations on a theme of Corelli; Rameau: Tambourin; Schubert: moment Musical No 3; Brahms: Hungarian Dance No 5; Tchaikovsky: Chanson sans paroles; Cottenet: Chanson Meditation; Bach: Gavotte in E; Bach: prelude in E; Gluck: melodie; Kreisler: Andantino, Chanson Louis XIII and Pavane, Liebeslied, Schon Rosmarin; Townsend: Berceuse; Kreisler: Austrian Imperial Hymn. Dvorak: Humoresque (Kreisler piano solo) The Bach prelude is unusual with piano accompaniment. His piano playing is very musical and shows his versatility as a musician. The recordings date from 1910, 1912 and 1914.
-BIDDULPH LAB 021: The Complete acoustic Victor recordings with orchestra: Bach: Double concerto in D minor with Efrem Zimbalist; Tchaikovsky: Andante Cantabile; Bocherini: Minuet; Kreisler Rondino; Bizet: Adagio; Spencer: Underneath the stars; Hubbell: Poor Butterfly; Schubert: 'Rosamunde' ballet music; Kreisler: Polichinelle and Paraphrase on Paderewski's Minuet in G; Winternitz: Dream of Youth; Earl: Beautiful Ohio Waltz; Rimsky-Korsakov: Song of India; Krakauer: Paradise; Kreisler: La Gitana; Valdez: Gypsy Serenade; Korchat: Forsaken; White: Nobody knows the trouble I've seen; Dvorak; Humoresque; Kreisler: Who can tell? Hirsch: Love Nest; Jacobi: On Miami shores. The intonation in the Bach double is quite off. A unusual album.
-BIDDULPH LAB 040: Fritz Kreisler Favourite short pieces with Franz Rupp: Bach: Gavotte in E; Mozart: Rondo in G; Chopin Mazurka in A minor; Brahms: Waltz in A; Dvorak: Humoresque; Tchaikovsky: Andante Cantabile; Rimsky-Korsakov: Song of India; De Falla; Spanish Dance; Poldini: Dancing Doll; Scott: Lotus Land; Kreisler: Caprice Vennois, Tambourin Chinois; Liebesfreud, Liebesleid, Schon Rosmarin, Rondino on a theme of Beethoven, La Gitana, and Londonderry Air. Recorded 1936 and 1938
-BIDDULPH LAB 047: Mendelssohn Violin Concerto (Kreisler) and Schumann Violin Concerto (Menuhin)
-BIDDULPH LAB 049-50: Archive performances: The Kreisler Collection - The Victor Recordings (1921-1925): CD1: Brahms Watltz Op39 no 15 (arr. Hochstein); Greig: To the Spring; Dawes: melody in A; Drdla: Souvenir; Kreisler: Aucassin and Nicolette, Toy Soldiers March; Rimsky-Korsakov: Hymn to the sun, Chanson Arabe, Danse Orientale (arr. Kreisler); Logan: Pale Moon (arr. Kreisler); Scott: Lotus land (arr. Kreisler), Cherry Pie; Chopin: mazurka in A op 33 no2 (arr. Kreisler); Paderewski: Melodie op 16. no 2 (arr. Kreisler); Heuberger: Midnight bells (arr. Kreisler); Kramer: Entr'acte; Openshaw: Love sends a little gift of flowers; Seitz: The worls is waiting for the sunrise; Haydn: Minuet in D (arr. Friedberg); Tchaikovsky: violin concerto - Canzonetta; Friedberg: Old French Gavotte (arr. Kreisler); Schuett: Slavonic Lament (arr. Friedberg); Poldini: Dancing Doll; Grainger: Molly on the shore (arr. Kreisler). Recorded 1921-1924; CD2 - Balogh: Dirge of the north (arr. Kreisler); Korngold: Pierrot's dance song (arr. Kreisler); Handel: Largo; Tchaikovsky: Chanson sans paroles (arr. Kreisler); Bass: Chansonette; Brandl: The old refrain (arr. Kreisler); Dawes: melody in A (2nd recording); Herbert: Kiss in thre dark; Kreisler: Caprice Viennois; Balogh: Caprice antique (arr. Kreisler); Cadman: Legend of the canyon (arr. Kreisler); Lalo: Symphonie Espagnole (Scherzando); Bach: Minuet in G (arr. Winternitz); Beethoven: Gavotte (Winternitz); Kreisler: Paraphrase on two Russian folk songs; Liliuokalani: Ahoha Oe (arr. Kreisler); Dvorak: Negro spiritual melody (arr. Kreisler); Cadman: Land of the sky blue water (arr. Kreisler); Then 5 recordins with the Irish Tenor JOhn McCormack: Trad: I saw from the beach; Rachmaninoff: before my window, To the children; Strass: Morgen!; Larchet: Padriac the fiddler. The duets with the tenor and piano accompaniment are very interesting. I think I would like to do something similar in a concert as well.
-BIDDULPH LAB 068-69: Archive performances: The Kreisler Collection - The Berlin HMV recordings (1926-1927): CD1 - Bach: Solo Sonata in G minor (Adagio); Beethoven concerto op 61; Mendelssohn concerto op 64; CD2 - Brahms violin concerto op 77; Mendelssohn: Song without words (arr. Kreisler); Schumann: Romance in A (arr. Kreisler); Brahms: Hungarian Dance no 17 (arr. Kreisler); Debussy: The girl with the flaxen hair (arr. Hartmann); Debussy: En Bateau (arr. Choisnel); De Falla: Dance Espagnole (arr. Kreisler); Scott: Lotus Land (arr. Kreisler); Music for violin, cello and piano: Corelli: O Sanctissima (arr. Kreisler); Bizet: Agnus Dei from L'Arlesienne (arr. Kreisler); Kreisler: March miniature viennoise and Syncopation. Very interesting recordings. very poised, eloquent and charming playing in the concertos and I understand that he was the first violinist to record all three of these concerti, so this CD is an important landmark. Hugo Kreisler plays the cello trio music.
-BIDDULPH LAB 075: The 1926-1927 Victor Recordings: Favourite short pieces - Romberg: Deep in my Hear, Dear; Friml: Indian Love Call, Dance of the maidens; Lemare: Andantino; Cadman: At dawning; Lehar 'Kreisler' Serenade; Owen: Invocation; Rimsky-Korsakov: Oriental Romance; Tcahikovsky: Humoresque; Rachmaninov: Marguerite; Lehar: 'Frasquita' Serenade; Kreisler: Caprice Viennois, Liedesfreud, Liebesleid, Gypsy Caprice, Shepherd's madrigal; Schon Rosmarin; Berlin: Blue Skies; De Falla: Cancion Populaire, Albeniz: Malaguena; Dvorak: Humoresque.
-BIDDULPH LAB 080: The 1928 Victor recordings: Favourite short pieces - Dohnanyi: Ruralia Hungarica; Debussy: En Bateau, the girl with the flaxen hair; Drdla: Souvenir; Massenet: Meditation; Nevin: Mighty Lak'a Rose, the Rosary; Foster: Old Folks at Home; De Falla: Danse Espagnole; Albeniz: Tango; Kreisler: Tambourin Chinois, Rondino; Winternitz: Dance of the Marionettes; Dvorak: Slavonic Dance in G minor, Indian Lament, Songs my Mother taught me.
-BIDDULPH LAB 100: Kreisler plays Beethoven: Concerto in D op 61; violin sonata no 8 with Rachmaninov on piano.
-BIDDULPH LAB 101:-Brahms: concerto op 77; the rarely performed August Wilhemj edition/ of Paganini concerto no 1 in D; Kreisler: Caprice Viennois; Tambourin Chinois; Liebesfreud; Liebesleid; Schon Rosmarin and La Gitana. (1936 and 1942)

（四）
•  JAN KUBELIK (1880-1940) Czech violinist who studied with Sevcik. Father of the conductor and compsoer Rafael Kubelik. Some very impressive technical playing. He gets some lovely sounds with the flageots. Amazing lefthand pizz in the Paganini
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Wieniawski: Souvenir de Moscou op6; Paganini: Nel cor piu variations op 38 (1903)
•  JACQUES THIBAUD (1880-1953) French violinist who tragically died in a plane crash
-BIDDULPH LAB 016: 'Kreisler & Thibaud play Mozart'. Mozart concerto no 6 (k268) (23 Feb 1927)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Albeniz: Tango (2 July 1933); Debussy: The girl with flaxen hair (1927)
•  GEORGES ENESCO (1881-1955)- A famed Roumanian violinist, composer, conducter, and teacher of Yehudi Menuhin. I understand that he also collaborated with the execellent Roumanian pianist Dinu Lipatti in concerts.
-BIDDULPH LAB066: Corelli 'La Folia' sonata; Handel: Sonata no 4 in D; Pugnani: Largo espressivo; Beethoven: Chorus of Dervishes; Wagner: Albumblatt; D'Ambrosio: Serenade; Kreisler: Aubade Provencale 'in the style of Couperin' and Tempo di Minuetto 'in the style of Pugnani'; Chausson: Poeme; Enesco violin sonata no 3 in A minor 'dans le caractere populaire Roumain'(Yehudi and his sister Hephzibah Menuhin play the sonata 1936). The Enesco recordings dated from 1924 and 1929. A noble tone in his Handel and overall good intonation compared with others of his generation. His technical ability is apparent in the Beethoven and Chausson.
•  BRONISLAW HUBERMAN (1882-1947)
-BIDDULPH LAB081-82: The Columbia recordings (2 cds.) Old fashioned playing with a Romantic stance. CD1: Bach Nun Komm der Heiden Heiland (arr. Humberman) and Air on a G string (arr. Wilhelmj); Schubert Moment Musical no 3 (arr. Auer), Ave Maria (arr. Wilhelmj); Chopin Nocturne in E flat (arr. Sarasate), Waltzes in G flat, C sharp minor (arr. Huberman); Brahms Hungarian Dance No 1 (arr. Joachim), Waltz in A flat (arr. Hochstein); Tchaikovsky: Melodie in E flat; Elgar La Capricieuse; Sarasate Romanza Andalusa; Zarzycki Mazurka. The Zarzycki is the only piece on this cd to show his technical skills. The other pieces demonstrate that he takes his time, a bit like Elman. CD2. BACH: Sarabande (Partita in B minor), Andante (Sonata in A minor); Beethoven 'Kreutzer' sonata with Ignaz Friedman; Chopin Nocturne in E flat (arr. Sarasate); Schubert Moment Musical No 3 (arr. Auer). The unaccompanied Bach is dated and full of Romantic portamenti and the chords are a little brash. In the Andante, the voices are very clear. I think the Beethoven sonata sonata brings out his best qualities, but i still think his chords are a little to strong. Friedman is a superb player!!
•  MISCHA ELMAN (1891-1967)- the violinist with the 'golden tone'. I simply adore his playing, it is so musical, and he always takes his time, which makes the music he is playing so expressive and thoughtful.
-Have you listened to his Tchaikovsky concerto? (BBC CD717 The Vintage Collection) He plays his teachers edition of it (Leopold Auer) who rewrote some of the passages of this 'unplayable russian stench' as he put it. I prefer the original version of the concerto not Auers.The Beethoven Romanze in G op 40 is also on this recording.
-The Vintage Collection volume 2 'The complete musician - violinist, composer, chamber music player and collaborator (BBC CD753) . An interesting collection of recordings of different pieces pieces ranging from Wieniawski, Sarasate, Raff, a Haydn String Quartet, and Elman's own composition 'In a Gondola/ Impromptu' and his arrangement of 'Eili Eili'.
-Vanguard Classics 08803371 'The Mischa Elman Collection': Nardini concerto in E minor; Vivaldi concerto in G minor op 12 no 1; Bach E major concerto).
-EVERYMAN/ Vanguard 08614971: Mendelssohn concerto in E minor op 64 and Lalo Symphonie Espangnole
-BIDDULPH LAB160: The complete 1946/7 RCA recordings: Brahms Sonata in D minor no 3, Dvorak Slavonic Fantasy, Smetana Aus der Heimat, Hubay Hejre Kati, Balakirev 'Oh come to me', Mendelssohn 'May breezes and concerto in E minor op 64
•  FERENC VON VECSEY(1893-1935). Hungarian violinist and student of Hubay. Sibelius dedicated his violin concerto to him
-ISTITUO DISCOGRAFICO ITALIANO: IDIS 6409 ?6 Great Soloists perform Paganini Vol 2 Caprice No 13, 1930s.
•  TOSCHA SEIDEL (1899-1962) Ukranian violinist and studnet of Leopold Auer. Later based in USA.
-BIDDULPH LAB138: the RCA recordings: Mozart: Gavotte in G and Minuet in D; Wagner Albumblatt; Brahms: Hungarian Dance no 1; Bakleinikoff: Brahmsiana; Provost: Intermezzo; Korngold: 'Much a do about nothing' suite with Korngold accompanying on piano; Strauss 'one day when we were young' and Tales from the Vienna Woods; Frank: Sonata. These pieces were recorded in 1938, 1941 and the 1950s. He makes such a full bright sound. The playing is certainly musical and very expressive. I think he played for the sound tracks of a few Hollywood movies. The Prevost Intermezzo was the sound track in the movie of the same name with Leslie Howard and Ingrid Bergman. Howard played a vioinists who had an affair with the pianist played by Bergman. I remember watching this movie on a saturday morning matinee when I was 9 years old. THIS IS ONE OF MY FAVOURITE RECORDINGS.

（五）
•  JASCHA HEIFETZ (1901-1987) I have mixed feelings about this technical legend. Sometimes I feel his playing is too fast to enjoy the music, .e.g his Mendelssohn violin concerto
-ISTITUO DISCOGRAFICO ITALIANO: IDIS 6409 ?6 Great Soloists perform Paganini Vol 2 - Caprice No 24 (1934)
-RCA Victor: 09026 61748 2 The Heifetz Collection vol 17: Bach solo sonatas and partitas (1952)
-NAXOS 8.107001 Centenary Memorial edition 1901-2001: CD1 ?Beethoven and Brahms concerti (1939/1940); CD2 ?Tchaikovsky, Glazunov, Sibelius Concerti (1934/1937); CD3 ?Elgar, Walton concerti (1941/1949); CD4 ?Brahms Double concert, Bruch Scottish Fantasy, Wieniawski concerto no 2 (1935/1947); CD5 ?Prokofoiev concerto no 2; Gruenberg concerto (1937/1945); CD6 ?Mozart concerto no 4 and 5, Mendelssohn concerto op 64; (1934/1949) CD7 ?Vieuxtemps concerti no 4 and 5, Sain-Saens Introduction and Rondo Capricioso; Sarasate Zigeunerweisen , Waxman Carmen Fantasy (1935/1946)
•  ZINO FRANCESCATTI (1902-1991) French violinist taught by his Father, who was alleged taughted by Camillo Sivori, Paganini's only student.
-ISTITUO DISCOGRAFICO ITALIANO: IDIS 6409 ?6 Great Soloists perform Paganini Vol 2 concerto no 1 1950
•  NATHAN MILSTEIN (1903-1992)
EMI: 07777 64830-2: The Art of Nathan Milstein ?the Capitol Recordings 1955-1966 (6 cds): 1) Glazunov concerto op 82, Prokofiev concerto no 2 op 63, Sain-Saens Concerto no 3; 2) Tchaikovsky concerto, Brahms concerto; 3) Beethoven concerto, Dvorak concerto; 4)Vivaldi concertop op 3/10, Sonata no 2 in A op 2, Handel sonata no 4 op1, Vitali Chaconne, Corelli-Leonard La Folia op 5 no 12, Tartini-Kreisler Devils Trill Sonata, Bach-Wilhemj Air; 5) Mozart violin sonatas in C K296 and e minor K304, Beethoven Spring sonata, Prokofiev sonata no 2 in D; 6) Rachmaninov Vocalise, Mussorgsky- Jones Gopak, Glazunov Meditation, Tchaikovsky Waltz-Scherzo, Souvenir d抲n lieu cher, Rimsky-Korsakov-Kreisler Fantasia on Russian Themes, Rimsky-Korsakov-Hartmann Flight of the bumblebee, Brahms Hungairan Dance no 2, Massenet Meditation, Gluck Dance of the blessed spirits, Chopin Nocturne no 20 in C minor, Falla Jota, Wieniawski Scherzo-Tarantella, Debussy Minstrels, Sarasate Introduction and Tarantella, Kreisler Praeludium & Allegro in the style of Pugnani
DVD: Nathan Milstein - a portrait. Super playing at the age of 82!!! Beethoven 'Kreutzer' sonata, Bach Chaconne, Paganini caprices, Sarasate Introduction and Tarantella
•  MAX ROSTAL (1906-1991)- I really like his playing. He taught my my first violin teacher Brenda Farrow when she was a student at the Guildhall School of Music and Drama
-SYMPOSIUM LABEL CD 1079: A selection of works: Tartini concerto in G minor and Devil's Trill sonata, Bach sonata in E minor, Beethoven Romances in G major and F major, Biber Passacalgia
-SYMPOSIUM LABEL CD 1076: Schubert Fantasie in C, Schumann Sonata in A minor and Debussy Sonata with pianist Colin Horsley
-SYMPOSIUM LABEL: Berg violin concerto (1953); Bartok Concerto no 2 1962; Bernard Stevens Violin concerto 1948; and Shostakovich Concerto no 1 in A minor (1956)
•  RUGGIERIO RICCI (1908-)- Student of San Francisco concertmaster Louis Persinger. Ricci had gone on to make a tremdous career for himself playing and recording many works by Paganini
-THE STRAD 6: Desplanes: Intrada; Nardini: Larghetto; Vivaldi: Praeludium from sonata in c; Paganini: Cantabile & Waltz; Moart: Adagio from piano sonata in E flat (arr. Friedberg); Kabalevsky: Improvisation op 21 no 1; Tchaikovsky: Melodie op 42 no 3; Veracini: Largo; Paradis: Sicilienne (arr. Dushkin); Hubay: 'The Violinmaker of Cremona'; Handel: Larghetto; Schumann: Romance in A (arr. Kreisler). This is one of my favourite recordings. Such a lovely lot of pieces. Ricci's playing is so express and he produces some very sweet tone which suits some of these pieces. However, I sometimes find his vibrato a tad too wobbly. Nevertheless, a fabulous recording.
-ISTITUO DISCOGRAFICO ITALIANO: IDIS 6409 ?6 Great Soloists perform Paganini Vol 2 - Moses Fantasy 1938
-VOXBOX CD3X 3020: Paganini 24 Caprices op 1 and Caprice d抋dieu
-VOX BOX: 5 cd set: The Art of Ruggiero Ricci:
-DYNAMIC CDS 373: The Legacy of Cremona. The master plays 18 violins by contemporary violin makers with a programme of works by Nardini, Paganini, Dvorak, Schubert, Sibelius, Liszt/ Milstein, Achron, Chopin/ Ricci, Wagner/ Wilhelmj, Granados, Scott/ Kreisler, Sarasate, Wieniawski, Tchaikovsky

（六）
•  JOSEF GINGOLD (1909-1995) He studied with Vladimir Graffman and Eugene Ysaye. He has edited many works and etudes. More famed as a teacher in his later years, especially of his student Joshua Bell.
-THE STRAD 9: Harris: Sonata; Bloch: Vidui; Schumann: Prophet Bird (arr. Auer); Massenet: Meditation; Wieniawski: 2nd Concerto - Romance; Medelssohn: Song without words op 62 no 1 (arr. Kreisler); Prokofiev: Aria from Alexander Nevsky (arr. Gingold); Walton: Sonata. Recorded 1942, 1951, 1964 and 1968.

原帖由 sutao0688 于 2011-2-13 11:42:00 发表 帖子到此...... 请大伙严肃回答我的问题，有没有必要继续下去？ 鉴于论坛多数人对音乐家历史资料不感兴趣，这贴又费力不讨好，所以本人准备停止。 如无人愿回答，就让这贴自行消失吧！

千万别这么说。当然有必要。虽然“暂时”不讨好，但“长久”是坛子里最具保存价值的东西呢。