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卡米诺拉曾有计划录小无。后来取消了。

原帖由 和谐花园 于 2014-8-27 10:35:00 发表 卡米诺拉曾有计划录小无。后来取消了。

当年DG还是那个橘黄色的网页的时候在In the Studio那一栏里瞅见过的。

对，很好的一个可以猎奇和八卦的栏目，可惜了。

zzt在一年里为2位指挥家录制了《图画展览会》。。。。。其实就是骗粉丝，喜欢的总会买。。

不过卡米诺拉这张内容还是很丰富的。除了大俗曲目三首外，还有两首改编曲。
BWV 1052 · BWV 1056
(Reconstructed after the Harpsichord Concertos)

2014留声机奖：
http://www.mdt.co.uk/blog/awards ... wsletter-28-08-2014

不知道大熊与德累斯顿合作的勃拉姆斯交响曲全集（cd+dvd）什么时候在国内有卖的。

原帖由 脑震荡 于 2014-8-28 23:28:00 发表 不知道大熊与德累斯顿合作的勃拉姆斯交响曲全集（cd+dvd）什么时候在国内有卖的。

9月，现在进货速度都很快，一般国际发行了淘宝上也就有了。

原帖由 脑震荡 于 2014-8-28 23:28:00 发表 不知道大熊与德累斯顿合作的勃拉姆斯交响曲全集（cd+dvd）什么时候在国内有卖的。

这个有蓝光的，淘宝上应该有。

原帖由 shinelb 于 2014-8-29 9:36:00 发表 原帖由 脑震荡 于 2014-8-28 23:28:00 发表 不知道大熊与德累斯顿合作的勃拉姆斯交响曲全集（cd+dvd）什么时候在国内有卖的。 这个有蓝光的，淘宝上应该有。

蓝光太贵（C-Major一点套装打个折的意思都没有，而且用了根本没有必要的2xBD25的配置，不就为了多赚钱嘛），最坑的是纪录片不带中文字幕啊。。。。蓝光的1 2是在东京录的现场

肯尼迪新四季，封面吓人。

小雅又添新作。

看来是要录全集了。
Beethoven
Symphonies 2 & 8

• [1-4] Symphony No.2 in D major, Op.36
• [5-8] Symphony No.8 in F major, Op.93

Orchestre Révolutionnaire Et Romantique / John Eliot Gardiner
Recorded in London, November 2013
October 2014 marks the 25th anniversary of the founding of the Orchestre Révolutionnaire et Romantique. Twenty years after their acclaimed Beethoven Symphonies recordings for Deutsche Grammophon, Sir John Eliot Gardiner and the orchestra continue to revisit this repertoire - this album follows the release of Symphonies 5 % 7 recorded live at Carnegie Hall.
The Second and Eighth, two of the “lighter” symphonies, are among Sir John Eliot’s favourites. The Second’s life-affirming energy is rooted in Mozart and 18th c. opera, at times romantically tender and others ferociously determined. Beethoven’s adventurous spirit can be heard in the Eighth, which is buoyant and energetic with a spirit of wit and playfulness.
The album is presented in a digipack and contains a 28 pages booklet with original notes by BBC presenter and music journalist Stephen Johnson, translated in German and French.
"From the very start, the cut-to-the-bone immediacy of the sound puts you up close and personal to the performance"
Gramophone
“After hearing these explosive, invigorating and electrifying performances, we are reminded once again of the ferocious intensity that must have shell-shocked 19th century Viennese audiences.” BBC Music Magazine
“The execution is fabulous, the (superlative) stylistic foundation always at the service of the music’s rhythm, energy and inner logic” Financial Times
Soli Deo Gloria SDG721

巴赫小鞋何其多！
+Air aus Orchestersuite Nr. 3; Chaconne aus Partita Nr. 2; Gavotte en Rondeau aus Partita BWV 1006
搭配曲目不错!

LULLY Amadis
After 'Roland', 'Persée', 'Bellérophon' and, most recently, 'Phaéton', Christophe Rousset continues his revival of Lully's tragédies lyriques, written at the time of Louis XIV, with this performance of 'Amadis', one of the composer’s finest scores: a masterpiece of French music, wonderfully balanced, extremely accomplished. It was Louis XIV himself who asked Lully and his librettist Quinault to base an opera on Montalvo’s early 16th C 'Amadís de Gaula', thus breaking with the usual mythological subjects and giving them an opportunity to change significantly the general intention of the tragédie lyrique genre. For the first time the prologue is closely linked to the main body of the work. The ‘symphonic’ pieces, supported by trumpets and kettledrums, are quite remarkable, especially the final chaconne, which is probably the finest in the whole of French opera. The arias are full of feeling, with the famous ‘Bois épais’, ‘Tu me trahis, malheureux’, ‘Il m’appelle’ moving constantly between heroic courage and the sadness caused by fearful love.
'Amadis', premièred in Paris in 1684, was performed constantly in the capital until 1772 and is here captured in a new recording from 4-6 July 2013 at the Opéra royal du Château de Versailles.

Rameau: Les Fêtes de l'Hymen et de l'Amour, ou Les Dieux d'Égypte


The latest in Hervé Niquet's 'reinvigorations' of French operatic music from the Baroque and beyond for Glossa is Rameau’s 1747 'Les Fêtes de l’Hymen et de l’Amour'. A ballet heroïque in a prologue and three entrées, the whole work was designed to comprise a complete theatrical spectacle. Music for dancing – as befits a ballet – is given a prominent role and Rameau is able to create especially expressive symphonies and to give the choruses – even a double-chorus – an integral role in the action. Added to this are supernatural effects, and plots for the entrées which explored the then uncommon world of Egyptian mythology (including a musical depiction of the flooding of the River Nile). In his vocal music Rameau deftly switches between Italianate style and the French mode, current in the mid-18th century, allowing the distinguished team of vocal soloists to demonstrate their accomplished talents. Overseen by the Centre de musique baroque de Versailles, and with booklet notes from Thomas Soury, this new recording is an important addition to the Rameau catalogue – the more so in the 250th anniversary year of the composer’s death. It brings to life one of Rameau’s finer, if underrated, compositions, and a dramatic work written on the cusp of important reforms in opera.

录完了？

原帖由 普六茹那罗延 于 2014-9-18 21:30:00 发表 录完了？

果然是录完了，这张好像No.17又重录了一次。HMV有8cd的全集了，11月19上市，又有的砸银子了。以日版价格来看，应该是环保装，单张40元左右。

波利尼的贝钢奏全集值得期待啊。

环球现在一张CD都有超过85分钟了？
85‘37“