Alfred Cortot: The Master Classes
表演者: Alfred Cortot / Perahia
发行时间: 2005
出版者: Sony
唱片数: 3
条型码: 4547366022315
简介 · · · · · ·
Have you ever wished to be present as a great instrumentalist teaches gifted pupils? Sony's set of Alfred Cortot's Master Classes can satisfy that fantasy, as well as provide insightful performances of works (and excerpts of works) including some Cortot never recorded, and hearing him expound on them from a performer's point of view. It's possible thanks to an engineering stude... (展开全部) Have you ever wished to be present as a great instrumentalist teaches gifted pupils? Sony's set of Alfred Cortot's Master Classes can satisfy that fantasy, as well as provide insightful performances of works (and excerpts of works) including some Cortot never recorded, and hearing him expound on them from a performer's point of view. It's possible thanks to an engineering student who taped many of Cortot's classes in the late 1950s and Murray Perahia, who tracked down the tapes and produced this invaluable set. Don't understand French? Not to worry--French texts and English translations of Cortot's remarks are provided. We also hear Cortot playing with spontaneity and captivating spur-of-the-moment impetuousness, if also with rather more wrong notes than the fastidious would like. The inevitable frustration of wanting him to play an entire lengthy work soon gives way to appreciation for his insights and the beauties of the excerpts he's highlighting. Those insights include technical points like pedaling, rhythm, and touch. But more often he’s teaching a work's expressive content. He'll relate a Beethoven Sonata to a love story or the way Chopin's Ballades reflect the Adam Mieckicwicz poems said to inspire them. There's Bach, Mozart, and Schumann here too. Cortot's main point, the lesson that pervades these discs, is one all aspiring artists need to absorb: "Technique can never really be separated from musical expression." This set is must for pianophiles, students, and admirers of one of the last century's greatest artists. --Dan Davis
曲目 · · · · · ·
Disc 1
收录科尔托教授巴赫帕蒂塔第一号时的录音。
莫扎特奏鸣曲K331，K310。
收录贝多芬奏鸣曲第26首《告别》
贝多芬奏鸣曲第27首，第28首（Op. 101）
Disc 2
收录贝多芬奏鸣曲第30首（Op. 109），第31首（Op. 110）
舒曼奏鸣曲第2号第2乐章，幻想曲。
肖邦奏鸣曲第2号，第3号
Disc 3
肖邦叙事曲第1号，第3号，第4号。
谐趣曲第3号。
玛祖卡前奏曲若干，夜曲Op. 55-1，华丽大圆舞曲。
I. Praeludium
II. Allemande
III. Corrente
IV. Sarabande
V. Menuet I & II
VI. Giga
Adagio. Allegro.Andantino. Piu Allegr. Tempo I
I. Tema. Andante Grazioso E Variazioni
II. Menuetto-Trio
III. (Rondo) Alla Turca. Allegretto
I. Allegro Maestoso
II. Andante Cantabile Con Espressione
III. Presto
I. Das Lebewohl. Adagio-Allegro
II. Abweswnheit (L'Absence). Andante Espressivo
III. Das Wiedersehn (Le Retour). Vivacissimamente
I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck
II. Nicht Zu Geschwind Und Sehr Singbar Vorgetragen
I. Etwas Lebhaft, Und Mit Der Innigsten Empfindung. Allegretto Ma Non Troppo
II. Lebhaft, Marschmassig. Vivace Alla Marcia
III. Langsam Und Sehnsuchtsvoll. Adagio Ma Non Tropo, Con Affettuo
IV. Geschwind, Doch Nicht Zu Sehr Und Mit Entschlossenheit. Allegro
Introductory Remarks To Ballade No.1 - Murray Perahia
Ballade No.1 In G Minor, Op.23
Introductory Remarks To Ballade No.3 - Murray Perahia
Ballade No.3 In A-Flat Major, Op.47
Ballade No.4 In F Minor, Op.52
Scherzo No.3 In C-Sharp Minor, Op.39
Mazurka In G Minor, Op.24 No.1
Mazurka In C Major, Op.24 No.2
Mazurka In B-Flat Minor, Op.24 No.4
Mazurka In C Minor, Op.30 No.1
Mazurka In B Minor, Op.30 No.2
Prelude No.2 In A Minor, Op.28
Prelude No.4 In E Minor, Op.28
Prelude No.5 In D Major, Op.28
Prelude No.8 In F-Sharp Minor, Op.28
Prelude No.17 In A-Flat Major, Op.28 'Raindrop'
Prelude No.20 In C Minor, Op.28
Nocturne In F Minor, Op. 55 No.1
Waltz No.1 In E-Flat Major, Op.18 'Grande Valse Brilliante'
I. Vivace, Ma Non Troppo
II. Prestissimo
III. Andante Molto Cantabile Ed Espressivo. Variations I-IV
I. Moderato Cantabile Molto Espressivo
II. Allegro Molto
III. Adagio Ma Non Troppo
VI. Fuga. Allegro Ma Non Troppo
II. Andantino
I. Durchaus Phantastisch Und Leideschaftlich Vorzutragen
Introductory Remarks To Sonata No.2 - Murray Perahia
I. Grave-Doppio Movimento
II. Scherzo
III. Marche Funebre. Lento
IV. Presto
Introductory Remarks To Sonata No.3 - Murray Perahia
I. Allegro Maestoso
II. Scherzo. Molto Vivace
III. Largo
IV. Finale. Presto Non Tanto
