钢琴大师Perahia佩拉希亚从艺40年SONY全录音 72CD+5DVD [复制链接]

肯定比原来宝丽金CD版（新版）音质好。

http://item.taobao.com/item.htm?id=14774826204&
期盼已久的富尔特温格勒全集到了，虽然尚在快递的运输途中，我把它作为一部参考大书，其曲目部分翻译如下：
Membran 233110.49(107CDs+1DVD(1Pal)+1CD-ROM)885150331101
Membran福特萬格勒典藏紀念107CD大全集【107CDs+1DVD(Pal)+1CD-ROM】
Wilhelm Furtwängler ~ The Legacy
福特萬格勒指揮
Wilhelm Furtwängler
曲目:
CD 1
Johann Sebastian Bach (1685-1750)
1-5 Orchestersuite (Ouvertüre) Nr. 3 D-Dur BWV 1068
Berliner Philharmoniker
22.10.1948
巴赫：D大调第三管弦乐组曲BWV 1068
柏林爱乐乐团
录音：1948.10.22
6-8 Brandenburgisches Konzert Nr. 3 G-Dur BWV 1048
Wiener Philharmoniker
31.08.1950
巴赫：G大调第三勃兰登堡协奏曲BWV 1048
维也纳爱乐乐团
录音：1950.8.31
9-11 Brandenburgisches Konzert Nr. 5 D-Dur BWV 1050
Wilhelm Furtwängler, Klavier （福尔特文格勒，钢琴）
Josef Niedermayr, Flöte（約瑟夫‧尼德邁爾，长笛，维也纳爱乐长笛首席）
Willi Boskovsky, Violine （博斯科夫斯基，小提琴，维也纳长爱乐小提琴首席）
Wiener Philharmoniker
31.08.1950
巴赫：D大调第五勃兰登堡协奏曲BWV 1050
维也纳爱乐乐团
录音：1950.8.31

CD 2
Johann Sebastian Bach (1685-1750)
1-9 Matthäus-Passion BWV 244
Elisabeth Grümmer, Sopran
Marga Höffgen, Alt
Anton Dermota, Tenor
Dietrich Fischer-Dieskau, Bariton
Otto Edelmann, Bass
Wiener Singverein
Wiener Sängerknaben
Wiener Philharmoniker
Aufnahme
巴赫：马太受难曲BWV 244
维也纳爱乐团
维也纳爱合唱团
Sopran（女高音）Elisabeth Grümmer（伊丽莎白•格吕梅尔,1911-1986，德国女高音歌唱家）
Alt（女中低音）Marga Höffgen（马嘉 霍夫根）
Tenor （男高音）Anton Dermota（安东 狄尔莫塔，1910－198），南斯拉夫男高音）
Bariton（男中音）Dietrich Fischer-Dieskau,（菲舍尔-迪斯考， 德国男中音）、
Bass（男低音）Otto Edelmann（奥托•埃德尔曼，奥地利男中音）

CD 3
Johann Sebastian Bach (1685-1750)
1-7 Matthäus-Passion BWV 244
Elisabeth Grümmer, Sopran
Marga Höffgen, Alt
Anton Dermota, Tenor
Dietrich Fischer-Dieskau, Bariton
Otto Edelmann, Bass
Wiener Singverein
Wiener Sängerknaben
Wiener Philharmoniker
Aufnahme

CD 4
Johann Sebastian Bach (1685-1750)
1-9 Matthäus-Passion BWV 244
Elisabeth Grümmer, Sopran
Marga Höffgen, Alt
Anton Dermota, Tenor
Dietrich Fischer-Dieskau, Bariton
Otto Edelmann, Bass
Wiener Singverein
Wiener Sängerknaben
Wiener Philharmoniker
Aufnahme

CD 5
Georg Friedrich Händel (1685-1759)
1-6 Concerto grosso D-Dur op. 6 Nr. 5
Berliner Philharmoniker
22.04.1954
亨德尔：大协奏曲 OP6.5
柏林爱乐乐团
录音时间：1954.4.22

7-11 Concerto grosso d-Moll op. 6 Nr. 10
Berliner Philharmoniker
19.12.1949
亨德尔：大协奏曲 OP6.10
柏林爱乐乐团
录音时间：1949.12.19
Christoph Willibald Gluck (1714-1787)
12 Alceste: Ouvertüre
Berliner Philharmoniker
28.10.1942
格鲁克：阿尔切斯特序曲
柏林爱乐乐团
录音时间：1942.10.28
13 Iphigénie en Aulide: Ouvertüre
Wiener Philharmoniker
08.03.1954
格鲁克：《伊菲姬尼在奥里德》序曲
维也纳爱乐团
录音时间：1954.3.8
Johann Sebastian Bach (1685-1750)
14-15 Brandenburgisches Konzert Nr. 3 G-Dur BWV 1048
Berliner Philharmoniker
1930
巴赫：D大调第三勃兰登堡协奏曲BWV 1048
柏林爱乐乐团
录音时间：1930
16 Orchestersuite (Ouvertüre) Nr. 3 D-Dur BWV 1068
Berliner Philharmoniker
1929
巴赫：D大调第三管弦乐组曲BWV 1068
柏林爱乐乐团
录音时间：1930

CD 6
Christoph Willibald Gluck (1714-1787)
Orfeo ed Euridice
1-7 Erster Akt
8-12 Zweiter Akt
Orfeo: Fedora Barbieri
Euridice: Hilde Güden
Amore: Magda Gabory
Chor und Orchestre der Mailänder Scala
07.04.195
格鲁克：《欧菲欧与尤丽狄茜》
欧菲欧：Fedora Barbieri（费多拉•巴比耶利）
尤丽狄茜：Hilde Güden（希尔德 戈登）
米兰斯卡拉歌剧院交响乐团
录音时间：1951.4.7
CD 7
Christoph Willibald Gluck (1714-1787)
Orfeo ed Euridice
1-6 Zweiter Akt (Fortsetzung)
7-16 Dritter Akt
Orfeo: Fedora Barbieri
Euridice: Hilde Güden
Amore: Magda Gabory
Chor und Orchestre der Mailänder Scala
07.04.1951
格鲁克：《欧菲欧与尤丽狄茜》
欧菲欧：Fedora Barbieri（费多拉•巴比耶利）
尤丽狄茜：Hilde Güden（希尔德 戈登）
米兰斯卡拉歌剧院交响乐团
录音时间：1951.4.7

CD 8
Ludwig van Beethoven (1770-1827)
1-4 Symphonie Nr. 1 C-Dur op. 21
Royal Concertgebouw Orchestra Amsterdam
13.07.1950
贝多芬：D大调第一交响曲 OP.21
皇家音乐厅管弦乐团
录音时间：1950.7.13
5-8 Symphonie Nr. 3 Es-Dur op. 55 „Eroica”
Wiener Philharmoniker
26 & 27.11.1952
贝多芬：降E大调第三交响曲 OP.55
维也纳爱乐乐团
录音时间：1952.11.26、27

CD 9
Ludwig van Beethoven (1770-1827)
1-4 Symphonie Nr. 2 D-Dur op. 36
Wiener Philharmoniker
03.10.1948
贝多芬：D大调第二交响曲 OP.36
维也纳爱乐乐团
录音时间：1948.10.3

5-8 Symphonie Nr. 4 B-Dur op. 60
Wiener Philharmoniker
Aufnahme
贝多芬：降B大调第四交响曲 OP.60
维也纳爱乐乐团
录音时间：1948.10.3

CD 10
Ludwig van Beethoven (1770-1827)
1-4 Symphonie Nr. 5 c-Moll op. 67
Berliner Philharmoniker
27. 05.1947
贝多芬：C调第五交响曲 OP.67
柏林爱乐乐团
录音时间：1947.5.27
5-9 Symphonie Nr. 6 F-Dur op. 68 „Pastorale“
Wiener Philharmoniker
24 & 25.11.1952
贝多芬：E大调第六交响曲 OP.68
维也纳爱乐乐团
录音时间：1947.5.27

CD 11
Ludwig van Beethoven (1770-1827)
1-4 Symphonie Nr. 7 A-Dur op. 92
Wiener Philharmoniker
18 & 19.01.1950
贝多芬：A大调第七交响曲 OP.92
维也纳爱乐乐团
录音时间：1950.1.18-19
5-8 Symphonie Nr. 8 F-Dur op. 93
Berliner Philharmoniker
14.04.1953
贝多芬：D大调第八交响曲 OP.93
柏林爱乐乐团
录音时间：1953.4.14

CD 12
Ludwig van Beethoven (1770-1827)
1-4 Symphonie Nr. 9 d-Moll op. 125
Elisabeth Schwarzkopf, Sopran （女高音：伊丽莎白•施瓦尔茨科普芙）
Elisabeth Höngen, Alt （女中低音：马嘉 霍夫根）
Hans Hopf, Tenor （男高音：汉斯  霍普夫，1916-）
Otto Edelmann, Bass （男低音：奥托•爱德尔曼，1917－2003，奥地利男低音）
Chor und Orchester der Bayreuther Festspiele
29.06.1951
贝多芬：D小调第九交响曲 OP.125
拜鲁伊特节日交响乐团与合唱团

CD 13
Ludwig van Beethoven (1770-1827)
1 Egmont op. 84
Berliner Philharmoniker
27.05.1947
贝多芬：《艾格蒙特 》OP.84
柏林爱乐乐团
录音时间：1947.5.27
2 Coriolan op. 62
Wiener Philharmoniker
29.10.1951
贝多芬：《科里奥兰》OP.62
维也纳爱乐乐团
录音时间：1951.10.29
3 Ouvertüre Leonore II op. 72
Berliner Philharmoniker
18.10.1949
贝多芬：《莱奥诺拉》OP.72.2
柏林爱乐乐团
录音时间：1949.20.18
4 Große Fuge B-dur op. 133
Wiener Philharmoniker
30.08.1954
贝多芬：降B大调大赋格OP.133
维也纳爱乐乐团
录音时间：1954.8.30
5 Cavatina aus dem Streichquartett b-Moll op. 130
(Fassung für Streichorchester
Berliner Philharmoniker
1940
贝多芬：弦乐四重奏OP.130改编曲
柏林爱乐乐团
录音时间：1940

CD 14
Ludwig van Beethoven (1770-1827)
1-3 Konzert für Klavier und Orchester Nr. 1 C-Dur op. 15
Adrian Aeschbacher, Klavier
Orchestre du Festival Lucerne
27.10.1947
贝多芬：C大调第一钢琴协奏曲 OP.15
钢琴：Adrian Aeschbacher（艾什巴切尔）
卢塞恩节日管弦乐团
录音时间：1947.10.27
4-6 Konzert für Klavier und Orchester Nr. 4 G-Dur op. 58
Conrad Hansen, Klavier
Berliner Philharmoniker
03.12.1943
贝多芬：G大调第四钢琴协奏曲 OP.58
柏林爱乐乐团
钢琴：Conrad Hansen（康纳德 汉森，1906~2002，德國鋼琴家，师从费舍）
录音时间：1943.3.12

CD 15
Ludwig van Beethoven (1770-1827)
1-3 Konzert für Klavier und Orchester Nr. 5 Es-Dur op. 73
Edwin Fischer, Klavier
Philharmonia Orchestra
19 & 20.02.1951
贝多芬：E小调第五钢琴协奏曲 OP.73
爱乐乐团
钢琴：Edwin Fischer （埃德温 费舍）
录音时间：1951.2.19、20

CD 16
Ludwig van Beethoven (1770-1827)
1-3 Konzert für Violine und Orchester D-Dur op. 61
Wolfgang Schneiderhan, Violine
Berliner Philharmoniker
18.05.1953
贝多芬：D大调小提琴协奏曲 OP.61
柏林爱乐乐团
小提琴：Wolfgang Schneiderhan（沃尔夫冈 施耐德汉）
录音时间：1953.5.18
4 Romanze für Violine und Orchester Nr. 1 G-Dur op. 40
5 Romanze für Violine und Orchester Nr. 2 F-Dur op. 50
Yehudi Menuhin, Violine
Philharmonia Orchestra
09.04.1953
贝多芬：G大调浪漫曲op. 40
贝多芬：F大调浪漫曲op. 50
爱乐乐团
小提琴：梅纽因
录音时间：1953.4.9

CD 17
Ludwig van Beethoven (1770-1827)
Fidelio
1-13 Erster Aufzug
Leonore: Martha Mödl （利奥诺拉，弗洛伦斯坦之妻，化名“费德里奥”，女高音）…玛莎•莫德尔（Martha Mödl，1912-2001），德国女高音歌唱家；
Florestan: Wolfgang Windgassen （弗洛伦斯坦，囚犯，男高音）…沃尔夫冈温德加森，德国男高音；
Rocco: Gottlob Frick（罗可，监狱看守，男低音）…戈特洛布•弗里克,1906－1994，德国男低音；
Don Pizarro: Otto Edelmann （唐•皮扎罗，国家监狱长，男中音）…奥托-爱德尔曼，1917－2003，奥地利低音男中音；
Don Fernando: Alfred Poell (唐•费南多，大臣，男中音）…阿尔弗雷德 鲍威尔，奥地利男中音1900-1968；
Martelline: Sena Jurinac (马捷琳娜，罗可的女儿,女高音）…塞娜•茱莉纳琪，克罗地亚女高音，1921-2011.11.22；
Jaquino: Rudolf Shock(雅丘诺，门卫,男高音）…鲁道夫 朔克，1915-1986，德国男高音。
Erster Gefangener
Zweiter Gefangener
Chor der Wiener Staatsoper
Wiener Philharmoniker
Aufnahme
贝多芬：费德里奥
维也纳爱乐乐团及合唱团

CD 18
Ludwig van Beethoven (1770-1827)
Fidelio
1-13 Zweiter Aufzug
Leonore: Martha Mödl
Florestan: Wolfgang Windgassen
Rocco: Gottlob Frick
Don Pizarro: Otto Edelmann
Don Fernando: Alfred Poell
Martelline: Sena Jurinac
Jaquino: Rudolf Shock
Erster Gefangener
Zweiter Gefangener
Chor der Wiener Staatsoper
Wiener Philharmoniker
Aufnahme
CD 19
Ludwig van Beethoven (1770-1827)
1 Symphonie Nr. 5 c-Moll op. 67
Berliner Philharmoniker
16.10.1926
贝多芬：C小调第五交响曲片段
柏林爱乐乐团
录音时间：1926.10.16
2 Egmont-Ouvertüre
Berliner Philharmoniker
1933
贝多芬：艾格蒙特
柏林爱乐乐团
录音时间：1933
3 Symphonie Nr. 3 Es-Dur op. 55 „Eroica“
Berliner Philharmoniker
20.06.1950
贝多芬：第三交响曲片段
柏林爱乐乐团
录音时间：1950.6.20
4 Symphonie Nr. 9 d-Moll op. 125
Berliner Philharmoniker
19.04.1942
贝多芬：第九交响曲片段
柏林爱乐乐团
录音时间：1942.4.19
5 Symphonie Nr. 9 d-Moll op. 125
Wiener Philharmoniker
30.05.1953
贝多芬：第九交响曲片段
维也纳爱乐乐团
录音时间：1953.5.30

CD 20
Ludwig van Beethoven (1770-1827)
1 Ouvertüre Leonore III op. 72A
Wiener Philharmoniker
02.06.1944
贝多芬：《莱奥诺拉》OP.72A
维也纳爱乐乐团
录音时间：1944.6.2
2 Konzert für Klavier und Orchester Nr. 4 G-Dur op. 58
Pietro Scarpini, Klavier
Orchestra Sinfonica di Roma della Rai
19.01.1952
贝多芬：G大调第四钢琴协奏曲 OP.58
钢琴：皮特罗斯卡皮尼（意大利钢琴家）
意大利(罗马)广播交响乐团
录音时间：1952.1.19
3 Konzert für Violine und Orchester D-Dur op. 61
Erich Röhn, Violine
Berliner Philharmoniker
12.01.1944
贝多芬：D大调小提琴协奏曲 OP.61
小提琴：埃里克 罗恩
柏林爱乐乐团
录音时间：1944.1.12
4 Fidelio: Jetzt Schätzchen, jetzt sind wir allein
Marzelline: Lisa della Casa
Jaquino: Rudolf Schock
Wiener Philharmoniker
03.08.1948
贝多芬：费德里奥选曲
维也纳爱乐乐团
录音时间：1948.8.3
5-8 Fidelio (Auszüge
Leonore: Kirsten Flagstad
Rocco: Josef Greindl
Marzelline: Elisabeth Schwarzkopf
Jaquino: Anton Dermota
Wiener Philharmoniker
05.08.1950
贝多芬：费德里奥选曲
维也纳爱乐乐团
录音时间：1950.8.5

贝多芬弦乐四重奏唱片版本经久不衰，对于老乐迷而言布达佩斯四重奏是必收之作，你是否有幸同时将其四十年代录制和五十年代录音同时装入囊中？
http://photo.163.com/674551951@qq.com/#m=2&aid=239691393&pid=7690136118
http://photo.163.com/674551951@qq.com/#m=2&aid=239691393&pid=7690096263

今早拆开切利比达克的DVD，http://item.taobao.com/item.htm?id=14912505682&
观看第一张中舒曼钢琴协奏曲，老切利听到乐队演奏他要的声音而满意地眯缝着眼睛，几乎把钢琴声部给忘了，急得巴伦伯伊姆睁大眼睛看着他：怎么过门还不结束？其实，老大师心中有数：节奏慢一点，旋律线长些，年轻人要沉住气，拍点会给你的。。。

22 楼还差很多，请继续。

简介 · · · · · ·








　　BOX 1 - Baroque and pre-Classical Period
　　CD 1 - Bach
　　- Orchestral Suite No. 3 BWV 1068 - Berlin Philharmonic 10/22/1948
　　- Brandenburg Concerto No. 3 BWV 1048 - Vienna Philharmonic 08/31/1950
　　- Brandenburg Concerto No. 5 BWV 1050 - Vienna Philharmonic 08/31/1950
　　SOUND: Mostly good for age, but Brandenburg No. 5 (with Furtwängler on piano) is weaker.
　　CD 2-4 - Bach
　　St. Matthew Passion - Elisabeth Grümmer, Marga Höffgen, Anton Dermota, Dietrich Fischer-Dieskau, Otto Edelmann, - Vienna Philharmonic, Vienna Singverein, Vienna Boys' Choir 04/14-17/1954
　　SOUND: OK for age but there are recordings available with much less distortion. This one isn't a top performer.
　　CD 5
　　- Händel - Concerto grosso in D major Op. 6 no. 5 - Berlin Philharmonic 04/22/1954
　　- Händel - Concerto grosso in D minor op. 6 no. 10 - Berlin Philharmonic 12/19/1949
　　- Gluck - Alceste: Overture - Berlin Philharmonic 10/28/1942
　　- Gluck - Iphigénie en Aulide: Overture - Vienna Philharmonic 03/08/1954
　　- JS Bach - Brandenburg Concerto No. 3 BWV 1048 (excerpts) - Berlin Philharmonic 1930
　　- JS Bach - Orchestral Suite No. 3 BWV 1068: Air - Berlin Philharmonic 1929
　　SOUND: All very good for age, but note the Gluck Alceste is from 1942 and the Bach excerpts from 1929-30.
　　CD 6-7 - Gluck
　　- Orfeo ed Euridice - Fedora Barbieri, Hilde Güden, Magda Gabory, Chorus & Orchestra of Milan Scala 04/07/1951
　　SOUND: Not a great transfer, high end very muted by noise control mastering but the constant hiss is still fairly strong.
　　BOX 2 - Beethoven
　　CD 8-12 - Symphonies No. 1-9
　　- Symphony No. 1 - Royal Concertgebouw Orchestra - 07/13/1950
　　- Symphony No. 2 - Vienna Philharmonic 10/03/1948
　　- Symphony No. 3 - Vienna Philharmonic 11/26-27/1952
　　- Symphony No. 4 - Vienna Philharmonic 12/01-03/1952
　　- Symphony No. 5 - Berlin Philharmonic 05/27/1947
　　- Symphony No. 6 - Vienna Philharmonic 11/24-25/1952
　　- Symphony No. 7 - Vienna Philharmonic 01/18-19/1950
　　- Symphony No. 8 - Berlin Philharmonic 04/14/1953
　　- Symphony No. 9 - Bayreuth Festspiel Orchestra 06/29/1951
　　SOUND: Symphonies 2, 3, 4, 6, 7 and 9 are all the same performances featured on the "Great EMI Recordings" set. In most cases I found the sound of the Membran version to be at least as good as the EMI, although I'd give a slight edge to EMI on Symphonies 2 and 7. Symphony 1 has some record needle noise and distortion, and Symphony 5 is a live recording with middling sound. Symphony 8 has fine sound.
　　CD 13
　　- Egmont Overture - Berlin Philharmonic 05/27/1947
　　- Coriolan Overture - Vienna Philharmonic 10/29/1951
　　- Leonore II Overture - Berlin Philharmonic 10/18/1949
　　- Große Fuge Op. 133 - Vienna Philharmonic 08/30/1954
　　- Cavatina from String Quartet Op. 130 (Version for String Orchestra) - Berlin Philharmonic 1940
　　SOUND: Good all around, though a bit worse on the final track.
　　CD 14
　　- Piano Concerto No. 1 - Adrian Aeschbacher, Lucerne Festival Orchestra 10/27/1947
　　- Piano Concerto No. 4 - Conrad Hansen, Berlin Philharmonic 12/03/1943
　　SOUND: Decent, muted on the high end probably due to noise control.
　　CD 15
　　- Piano Concerto No. 5 - Edwin Fischer, Philharmonia Orchestra 02/19-20/1951
　　SOUND: Better and brighter than the identical performance on the EMI set.
　　CD 16
　　- Violin Concerto - Wolfgang Schneiderhan, Berlin Philharmonic 05/18/1953
　　- Romance for Violin and Orchestra Nos. 1-2 - Yehudi Menuhin, Philharmonia Orchestra 04/09/1953
　　SOUND: Generally very good, a few incidents of noise. I like that they included the Schneiderhan performance, which of course features the Schneiderhan cadenzas.
　　CD 17-18
　　- Fidelio - Martha Mödl, Wolfgang Windgassen, Gottlob Frick, Otto Edelmann, Vienna State Opera Choir, Vienna Philharmonic 10/13-17/1953
　　SOUND: About the same as on the EMI set.
　　CD 19
　　- Symphony No. 5: I - Berlin Philharmonic 10/16/1926
　　- Egmont verture - Berlin Philharmonic 1933
　　- Symphony No. 3: IV - Berlin Philharmonic 06/20/1950
　　- Symphony No. 9: I - Berlin Philharmonic 04/19/1942
　　- Symphony No. 9: II - Vienna Philharmonic 05/30/1953
　　SOUND: The older tracks show their age, otherwise good.
　　CD 20
　　- Leonore III Overture - Vienna Philharmonic 06/02/1944
　　- Piano Concerto No. 4: III - Pietro Scarpini piano, RAI Symphony Orchestra of Rome 01/19/1952
　　- Violin Concerto: III - Erich Röhn violin, Berlin Philharmonic 01/12/1944
　　- Fidelio: Jetzt Schätzchen, jetzt sind wir allein - Lisa della Casa, Rudolf Schock, Vienna Philharmonic 08/03/1948
　　- Fidelio excerpts - Kirsten Flagstad, Josef Greindl, Elisabeth Schwarzkopf, Vienna Philharmonic 08/05/1950
　　SOUND: Mixed -- great on the Violin Concerto and pretty good on the 1950 Fidelio excerpts.
　　BOX 3 - Brahms
　　CD 21
　　- Symphony No. 1 - Berlin Philharmonic 02/10/1952
　　- Variations on a Theme by Haydn - Berlin Philharmonic 06/20/1950
　　SOUND: Good but live recordings that show their age.
　　CD 22
　　- Symphony No. 2 - Berlin Philharmonic 05/07/1952
　　- Symphony No. 3 - Berlin Philharmonic 04/27/1954
　　SOUND: Good for age, no real issues.
　　CD 23
　　- Symphony No. 4 - Vienna Philharmonic 08/15/1950
　　- Hungarian Dances Nos. 1, 3 and 10 - Vienna Philharmonic 04/04/1949
　　SOUND: Symphony No. 4 is OK, shows its age a bit with slight distortion and tinny sound. Hungarian Dances sound better than the same performances on EMI.
　　CD 24
　　- Piano Concerto No. 2 - Edwin Fischer piano, Berlin Philharmonic 11/08/1942
　　SOUND: Variable, 2nd and 3rd movements pretty good for age but 1st and 4th are a bit muddier. Overall good for 1942.
　　CD 25
　　- Violin Concerto - Yehudi Menuhin violin, Lucerne Festival Orchestra 09/1949
　　- Concerto for Violin and Cello - Willi Boskovsky violin, Emanuel Brabec cello, Vienna Philharmonic 01/1952
　　SOUND: Good -- same performances as on EMI set in better sound due to less aggressive noise control.
　　CD 26
　　- A German Requiem - Kerstin Lindberg-Torlind, Bernhard Sönnerstedt, Stockholm Philharmonic Orchestra and Chorus 11/19/1948
　　SOUND: Some pretty heavy needle noise, and dynamics are poor. Listenable. Love the performance.
　　CD 27
　　- Symphony No. 1: IV - Berlin Philharmonic 01/23/1945
　　- Symphony No. 2: I - Vienna Philharmonic 01/28/1945
　　- Variations on a Theme by Haydn - Northwest German Radio Symphony Orchestra 10/27/1951
　　- Violin Concerto: III - Gioconda de Vito violin, RAI Symphony Orchestra of Torino 03/11/1952
　　- Hungarian Dances Nos. 1 and 10 - Berlin Philharmonic 1930
　　SOUND: Excerpts, quality is variable. The first three sound great for their age, the last three fair to middling.
　　BOX 4 - Bruckner
　　CD 28-33
　　- Symphony No. 4 "Romantic" - Vienna Philharmonic 10/19/1951
　　- Symphony No. 5 - Vienna Philharmonic 08/19/1951
　　- Symphony No. 6 (excerpts) - Berlin Philharmonic 11/13/1943
　　- Symphony No. 5: I - Berlin Philharmonic 10/28/1942
　　- Symphony No. 7 (Original Version) - Berlin Philharmonic 04/23/1951
　　- Symphony No. 8 - Berlin Philharmonic 03/15/1949
　　- Symphony No. 9 - Berlin Philharmonic 10/07/1944
　　SOUND: Mostly very high quality for their age, listenable and enjoyable, although Symphonies No. 7 and 9 are a bit dull and muted sounding.
　　BOX 5 - Viennese Classical Period
　　CD 34 - Haydn
　　- Symphony No. 88 - Vienna Philharmonic 12/05/1951
　　- Symphony No. 94 "Surprise" - Vienna Philharmonic 09/25/1950
　　SOUND: Really quite good on both symphonies, perhaps a bit muted at the high end but not bad.
　　CD 35 - Mozart
　　- Symphony No. 39 - Berlin Philharmonic 02/08/1944
　　- Symphony No. 40 - Vienna Philharmonic 12/07-08/1948 & 02/17/1949
　　SOUND: No. 39 is the same performance as on DG's Wilhelm Furtwangler - Recordings 1942-1944, Vol. 1, and the sound is about the same -- that is, a bit compromised but OK. No. 40 is the same performance as on the EMI set, and again the Membran has just a bit brighter sound.
　　CD 36 - Mozart
　　- Serenade No. 10 for 13 Wind Instruments "Gran Partita" - Wind soloists of the Vienna Philharmonic 11-12/1947
　　- Serenade No. 13 "A Little Night Music" - Vienna Philharmonic 04/01/1949
　　SOUND: Very good once again on the Gran Partita. "A Little Night Music" shows its age just a bit more -- a little tinny and muted at the high end, but not too bad.
　　CD 37 - Mozart
　　- Piano Concerto KV 466 - Yvonne Lefébure piano, Berlin Philharmonic 05/15/1954
　　- The Escape From The Seraglio: Overture - Berlin Philharmonic 1933
　　SOUND: Piano Concerto shows its age, a bit noisy and muddy but a nice performance. Overture sounds just like 1933, but nothing unusual -- noisy and poor technology.
　　CD 38 - Mozart
　　- Concerto for Two Pianos KV 365, Dagmar Bella & Paul Badura-Skoda piano, Vienna Philharmonic 02/08/1949
　　- Piano Concerto No. 22 - Paul Badura-Skoda piano, Vienna Philharmonic - 01/27/1952
　　SOUND: Both pieces a bit compromised -- record needle noise, noise control equalization. Listenable, but typical record transfers from the period.
　　CD 39-41 - Mozart
　　- Don Giovanni - Cesare Siepi, Elisabeth Schwarzkopf, Anton Dermota, Otto Edelmann, Vienna State Opera Choir, Vienna Philharmonic 08/06/1954
　　SOUND: Live recording from 1954, and considering that the sound is pretty good with nice definition of the singers, although it is not perfect with plenty of footfalls and such. This looks to be the same recording sold by EMI in this 3-CD set, and judging by the reviews there I imagine the sound is about the same, but I can't make a direct comparison.
　　CD 42-44 - Mozart
　　- Die Hochzeit des Figaro - Paul Schöffler, Elisabeth Schwarzkopf, Erich Kunz Maikl, Vienna State Opera Choir, Vienna Philharmonic 08/07/1953
　　SOUND: Live recording 1953, same as this performance. Sound is OK for age, but a little distortion in some places. My biggest problem is that this is not the original Italian, but a performance in German translation. May have been common practice at the time but I don't have to like it.
　　CD 45-47 - Mozart
　　- The Magic Flute - Josef Greindl, Anton Dermota, Paul Schöffler, Wilma Lipp, Erich Kunz, Vienna State Opera Choir, Vienna Philharmonic 08/01/1951
　　SOUND: This 1951 Salzburg Magic Flute derives from a recording of a radio broadcast, so this isn't great sound -- still pretty good considering its age and the recording conditions, and a great performance. Same recording as featured on this 3-CD set.
　　CD 48 - Schubert
　　- Symphony No. 8 "Unfinished" - Berlin Philharmonic 02/10/1952
　　- Symphony No. 9 - Berlin Philharmonic 11-12/1951
　　SOUND: Pretty great for their age on both recordings.
　　CD 49
　　- Schubert - Rosamunde (excerpts) - Vienna Philharmonic, 01-02/1951
　　- Mozart - Le nozze di Figaro Overture - Berlin Philharmonic 1933
　　- Mozart - Don Giovanni (excerpts) - Tito Gobbi, Josef Greindl, Vienna State Opera Choir, Vienna Philharmonic 07/27/1950
　　- Mozart - The Magic Flute: Hm! Hm! Hm! - Walter Ludwig, Karl Schmidt-Walter, Vienna Philharmonic 07/27/1949
　　SOUND: Very nice on Rosamunde, less so on the rest.
　　BOX 6 - Romantic Period
　　CD 50
　　- Mendelssohn - Violin Concerto - Yehudi Menuhin, Berlin Philharmonic 06/25-26/1952
　　- Mendelssohn - The Hebrides: Concert Overture - Vienna Philharmonic 08/19/1951
　　- Mendelssohn - A Midsummer Night's Dream: Overture - Berlin Philharmonic 09/28/1947
　　- Schumann - Manfred Overture - Vienna Philharmonic 01/24/1951
　　SOUND: Mendelssohn Concerto is the same performance as on the EMI set -- the sound here is excellent, pretty much identical to the EMI. The other tracks sound good, but not great -- a little muddy generally.
　　CD 51 - Schumann
　　- Symphony No. 1 "Spring" - Vienna Philharmonic, 10/20/1951
　　- Symphony No. 4 - Berlin Philharmonic 05/14/1953
　　SOUND: OK on No. 1, a little muddy. No. 4 sounds great for its age.
　　CD 52 - Schumann
　　- Piano Concerto Op. 54 - Walter Gieseking piano, Berlin Philharmonic 03/03/1942
　　- Cello Concerto - Tibor de Machula cello, Berlin Philharmonic 10/28/1942
　　SOUND: Both excellent for 1942.
　　CD 53-54 - von Weber
　　- Der Freischütz - Alfred Poel, Oskar Czerwenka, Elisabeth Grümmer, Rita Streich, Vienna State Opera Choir, Vienna Philharmonic 07/26/1954
　　SOUND: Looks to be the same performance as featured here. Quality is good for live recording in 1954.
　　CD 55
　　- von Weber - Der Freischütz: Overture - Vienna Philharmonic 03/05/1954
　　- von Weber - Euryanthe: Overture - Berlin Philharmonic 05/04/1954
　　- von Weber - Oberon: Overture - Vienna Philharmonic 02/01/1950
　　- von Weber - Invitation To The Dance - Berlin Philharmonic 1932
　　- Otto Nicolai - The Merry Wives Of Windsor: Overture - Vienna Philharmonic 01/18/1951
　　SOUND: All excellent for their age, even the 1932 -- although it still sounds like good 1932.
　　CD 56
　　- von Weber - Der Freischütz: Overture - Berlin Philharmonic 1926
　　- von Weber - Der Freischütz: Prelude to Act 3 - Berlin Philharmonic 1935
　　- Mendelssohn - Violin Concerto: III - Gioconda de Vito violin, RAI Symphony Orchestra of Torino 03/07/1952
　　- Schumann - Cello Concerto: Finale - Pierre Fournier cello, Berlin Philharmonic 11/13/1943
　　- Mendelssohn - A Midsummer Night's Dream: Overture - Berlin Philharmonic 1929
　　SOUND: All except the Violin Concerto excerpt are excellent for age, although many can't hide their age. The final track is mislabeled in the set as by Schumann, but it is really Mendelssohn.
　　BOX 7 - Late Romantic
　　CD 57 - Richard Strauss
　　- Sinfonia domestica - Berlin Philharmonic 01/12/1944
　　- Metamorphosen: Study for 23 Solo Strings - Berlin Philharmonic 02/10/1952
　　SOUND: Again, very good for age.
　　CD 58 - Richard Strauss
　　- Don Juan - Vienna Philharmonic 01/24/1951
　　- Till Eulenspiegel's Merry Pranks - Vienna Philharmonic 03/02-03/1954
　　- Death and Transfiguration - Vienna Philharmonic 01/1950
　　SOUND: Very good. Till Eugenspiel and Death and Transfiguration same performances as on the EMI set with no appreciable difference in sound.
　　CD 59
　　- Richard Strauss - Four Songs - Peter Anders, Berlin Philharmonic 02/15/1942
　　- Richard Strauss - Four Last Songs - Kirsten Flagstad, Philharmonia Orchestra 05/22/1950
　　- Gustav Mahler - Lieder eines fahrenden Gesellen - Dietrich Fischer-Dieskau, Philharmonia Orchestra 06/24-25/1952
　　SOUND: Four Songs are outstanding for 1942. Four Last Songs are tough listening due to record needle noise and general poor transfer. The Mahler is in excellent studio sound.
　　CD 60 - Hindemith
　　- Symphonic Metamorphosis on a Theme by Carl Maria von Weber - Berlin Philharmonic 09/16/1947
　　- Concerto for Orchestra - Berlin Philharmonic 06/20/1950
　　- Symphony "Harmony Of The World" - Vienna Philharmonic 08/30/1953
　　SOUND: All good, none great. No real noise issues, just recordings that show their age in somewhat thin sound. The Concerto for Orchestra is the same performance as featured on the big Audite set of RIAS recordings a few years back. The Audite sounds a tiny bit better, but the difference is not great.
　　CD 61
　　- Stravinsky - Symphony in Three Movements - Vienna Philharmonic 08/15/1950
　　- Stravinsky - Le Baiser de la fee - Berlin Philharmonic 03/18/1953
　　- Hans Pfitzner - Symphony in C major - Vienna Philharmonic 08/07/1949
　　SOUND: Sounds like noise control has muted the Stravinsky pieces a lot, but even so the fact that Furtwangler was not a towering figure among Stravinsky conductors shines through. The Pfitzner still sounds muted with noise control, but less so.
　　CD 62
　　- Hans Pfitzner - Palestrina (excerpts) - Berlin Philharmonic 06/10/1949
　　- Gustav Mahler - Lieder eines fahrenden Gesellen: Die zwei blauen Augen - Dietrich Fischer-Dieskau, Vienna Philharmonic 08/19/1951
　　- Richard Strauss - Don Juan - Venezuela Symphony Orchestra 03/21/1954
　　- Richard Strauss - Till Eulenspiegel's Merry Pranks - Berlin Philharmonic 1930
　　SOUND: A bit muted on the Pfitzner (but the work itself was a great surprise that made me want to hear the whole thing rather than just the excerpts here). The Mahler is from a live performance with clear sound -- so clear you can hear the audience just great as well. The 1954 Venezuela Strauss sound more like 1929, and the 1930 Strauss sounds its age.
　　BOX 8 - Tchaikovsky, Dvorak, Sibelius, Liszt, Smetana
　　CD 63 - Tchaikovsky
　　- Symphony No. 4 - Vienna Philharmonic 01/08-10/1951
　　- Serenade For Strings Op. 48 (excerpts) - Vienna Philharmonic 01/01-02/1950
　　SOUND: Studio recordings from 1950-51, sound is very good, must be from tapes, definitely not an LP transfer.
　　CD 64
　　- Tchaikovsky - Symphony No. 5 - RAI Orchestra of Torino - 06/06/1952
　　- Smetana - Die Moldau (Vltava) - Vienna Philharmonic 01/24/1951
　　SOUND: Mediocre on the Tchaikovsky -- a record transfer with both noise and noise control. The Smetana sounds brilliant and multidimensional, I really love this except from "Ma Vlast" with the extensive quotes from the Rheingold Vorspiel.
　　CD 65
　　- Tchaikovsky - Symphony No. 6 "Pathétique" - Berlin Philharmonic 10-11/1938
　　- Liszt - Les Préludes - Vienna Philharmonic 03/03/1954
　　SOUND: The Tchaikovsky is good, but only for age -- record needle noise is not too bad. The Liszt sounds great -- studio recordings apparently transferred from tapes.
　　CD 66
　　- Sibelius - Violin Concerto - Georg Kulenkampff violin, Berlin Philharmonic - 02/07/1943
　　- Sibelius - En Saga - Berlin Philharmonic 02/10/1943
　　- Dvorák - Slavonic Dance Op. 46 no. 3 - Berlin Philharmonic 1930
　　SOUND: Sibelius Concerto is great for wartime recording, I doubt it could get better. En Saga is practically as good. Dvorák is pretty good for heavily noise-controlled 1930 record transfer, but don't expect a lot.
　　BOX 9 - Wagner
　　CD 67
　　- Siegfried-Idyll - Vienna Philharmonic 02/16-17/1949
　　- The Flying Dutchman: Overture - Vienna Philharmonic 03/30-31/1949
　　- Tannhäuser Overture - Vienna Philharmonic 12/02-03/1952
　　- Parsifal (excerpts) - Berlin Philharmonic 03/15/1938
　　SOUND - All pretty good for LP or 78 transfers, but with some hiss and noise. Parsifal from 1938 has weakest sound.
　　CD 68
　　Lohengrin (Excerpts from Act 3) - Franz Völker, Maria Müller, Margarete Klose, Josef von Manowarda - Bayreuth Festspiel Chorus & Orchestra 07/19/1936
　　- Lohengrin, Prelude to Act 1 - Vienna Philharmonic 03/04-05/1954
　　SOUND - All but last track are 1936 recording with weakish sound and record needle noise. 1954 Prelude sounds great.

CD 69-72 - Wagner
　　- Die Meistersinger von Nürnberg - Jaro Prohaska, Josef Greindl, Benno Arnold, Bayreuth Festspiel Chorus & Orchestra 1943
　　SOUND - 1943 live recording, noticeable needle noise, crowd noise, and generally a bit tinny sound. Doesn't seem like a bad transfer, just limited quality on the original.
　　CD 86-89
　　- Wagner - Tristan und Isolde - Ludwig Suthaus, Kirsten Flagstad, Dietrich Fischer-Dieskau, Philharmonia Orchestra 06/10-22/1952
　　SOUND: Great! I was very pleased that this is basically a good quality studio recording from the old EMI release. No big sound issues here, and for my money the sound is better than on EMI's own latest release, where noise reduction has muted the tone a bit too much.
　　CD 90-91 - Wagner - Ring excerpts - Live at Milan Scala 1950
　　- Das Rheingold - Ferdinand Frantz, Angelo Mattiello, Joachim Sattler, Alois Pernerstorfer, Milan Scala Orchestra 03/02-11/03/1950
　　- Die Walküre - Günther Treptow, Hilde Konentzni, Kirsten Flagstad, Ferdinand Frantz, Milan Scala Orchestra 03/09-16/1950
　　- Siegfried - Set Svanholm, Peter Markwort, Kirsten Flagstad, Milan Scala Orchestra 03/22/1950
　　- Götterdämmerung - Max Lorenz, Ludwig Weber, Kirsten Flagstad, Milan Scala Orchestra 04/04/1950
　　SOUND: Good quality live recordings with some crowd noise
　　CD 92 - Wagner - Die Walküre Act I
　　- Die Walküre - Leonie Rysanek, Ludwig Suthaus - Vienna Philharmonic - 09-10/1954
　　SOUND: From the 1954 studio recording, very good sound
　　CD 93-94 - Wagner excerpts
　　- Tristan und Isolde: Prelude - Berlin Philharmonic - 04/27/1954
　　- Tristan und Isolde: Mild und leise wie er lächelt - Erna Schlüter, Staatskapelle Berlin 10/03/1947
　　- Die Meistersinger von Nürnberg: Was duftet doch der Flieder - Rudolf Bockelmann, Vienna Philharmonic 09/05/1938
　　- Die Meistersinger von Nürnberg - Vienna Philharmonic 04/04/1949
　　- Parsifal: Karfreitagszauber - Berlin Philharmonic 04/25/1951
　　- Die Walküre: Du bist der Lenz, nach dem ich verlangte - Maria Müller, Vienna State Opera Orchestra 02/13-17/1936
　　- Die Walküre - Rudolf Bockelmann, Covent Garden Opera Orchestra 1937
　　- Götterdämmerung: Trauermarsch - Berlin Philharmonic 1933
　　- Götterdämmerung: Starke Scheite schichtet mir dort - Kirsten Flagstad, Philharmonia Orchestra 07/23/1952
　　- Götterdämmerung: Siegfrieds Rheinfahrt - Rome Symphony Orchestra - 05/31/1952
　　SOUND: Variable but mostly quite good. Some typical issues with sound from 1930s recordings.
　　BOX 10 - Wagner - The Ring of the Nibelungen
　　CD 73-74 - Wagner - Der Ring des Nibelungen: Das Rheingold - RAI Symphony Orchestra 10/26/1953
　　CD 75-77 - Wagner - Der Ring des Nibelungen: Die Walküre - RAI Symphony Orchestra 10/29-11/06/1953
　　CD 78-81 - Wagner - Der Ring des Nibelungen: Siegfried - RAI Symphony Orchestra 11/1953
　　CD 82-85 - Wagner - Der Ring des Nibelungen: Götterdämmerung - RAI Symphony Orchestra 09/1953
　　SOUND: Really pretty good, and better dynamics than my current edition of this performance, which is an off-brand release. I haven't heard the Gebhart edition of the RAI Ring Cycle, which is supposed to be the reference release, but this one is a fairly good transfer.
　　BOX 11 - Other
　　CD 95
　　- Arthur Honegger - Mouvement symphonique No. 3 - Berlin Philharmonic 02/10/1952
　　- Fortner - Concerto for Violin and Large Chamber Orchestra - Gerhard Taschner violin, Berlin Philharmonic 12/18/1949
　　- Boris Blacher - Concertante Music for Orchestra - Berlin Philharmonic 04/27/1954
　　SOUND: Excellent on the Honegger, only slightly weaker on the Fortner and Blacher, which are featured in the same performances and about the same quality on the Audite set mentioned above.
　　CD 96-97 - Hector Berlioz
　　- The Damnation Of Faust - Frans Vroons, Hans Hotter, Elisabeth Schwarzkopf, Lucerne Festival Orchestra and Chorus 08/26/1950
　　SOUND: Three strikes -- tinny, noisy and sung in German translation. But I doubt anyone is buying a Furtwängler box for the Berlioz.
　　CD 98
　　- Franck - Symphony in D minor - Vienna Philharmonic 1954
　　- Ravel - Daphnis et Chloé: Suite Nr. 2 - Berlin Philharmonic 03/21/1944
　　SOUND: Great on the Franck and great for live wartime on the Ravel.
　　CD 99
　　- Cherubini - Anacreon: Overture - Vienna Philharmonic 01/11/1951
　　- Johann Strauss II - Emperor Waltz, Pizzicato-Polka - Vienna Philharmonic 01/24/1950
　　- Johann Strauss II - Die Fledermaus: Overture - Berlin Philharmonic 1937
　　- Rossini - The Thieving Magpie: Overture - Berlin Philharmonic 1930
　　- Rossini - The Barber of Seville: Overture - Berlin Philharmonic 1935
　　SOUND: The Cherubini is OK, but not great -- the same performance sounds a bit better on the EMI set. Strauss waltzes sound great. Starting with the Fledermaus overture we're in the 1930s -- pretty good to excellent for age, but still 1930s.
　　CD 100
　　- Ernst Pepping - Symphony No.2 - Berlin Philharmonic 1943
　　- Heinz Schubert - Hymnic Concerto for Soloists, Organ and Orchestra - Berlin Philharmonic 1942
　　SOUND: Great for wartime on the Pepping and pretty good on the Heinz Schubert -- which I found to be a very interesting piece.
　　CD 101-102
　　- Furtwängler - Symphony No.2 - Berlin Philharmonic 12/1951
　　- Bartok - Violin Concerto No.2 - Yehudi Menuhin violin, Philharmonia Orchestra 09/12-13/1953
　　SOUND: The Furtwängler sounds like a decent studio recording, good but not outstanding for 1951. The Bartok has seen many releases by EMI. It sounds fine here, but the version on the latest EMI release sounds a bit better.
　　CD 103
　　- Furtwangler - Symphonic Concerto for Piano and Orchestra - Edwin Fischer piano, Berlin Philharmonic 01/19/1939
　　SOUND: Noise control has done an excellent job in both controlling the noise and sucking all brightness out of the recording. Not at all bad for 1939, but definitely noise control run amok.
　　CD 104-105
　　- Verdi - Othello - Ramon Vinay, Dragicia Martinis, Paul Schoffler, Vienna State Opera Choir, Vienna Philharmonic 08/07/1951
　　SOUND: Not bad, but a live recording from 1951 where the microphones picked up the entire stage and some of the hall too. Typical early 1950s live opera recording in that sense. At least this one is in Italian.
　　CD 106
　　The Salzburg Song Recital
　　- Hugo Wolf - Morike-Lieder, Goethe-Lieder, Italienisches Liederbuch (excerpts), Spanisches Liederbuch (excerpts), Sechs alte Weisen (excerpt), Sechs Lieder fur eine Frauenstimme (excerpt), Eichendorff-Lieder - Elisabeth Schwarzkopf, Wilhelm Furtwangler piano 08/12/1953
　　SOUND: Schwarzkopf is microphoned pretty well, but the piano less so. I heard just a little distortion in louder passages. Still not too many sound issues.
　　CD 107
　　Excerpts from rehearsals, speeches and interviews
　　SOUND: Mixed. Will appeal to a minority, but interesting. Apart from the musical parts of the rehearsals -- the first four of 11 tracks on the disc -- you'll need to understand German.
　　CD-ROM
　　- Electronic booklets: biographical and track listing. (Note: The biographical booklet is included in paper form too, but no complete track listing.)
　　- Membran catalogs/advertisements
　　DVD
　　- Kaisers Klassik-Kunde, Süddeutsche Zeitung Magazin 2010
　　This is a short video clip, 8:20 in length, in which a Süddeutsche Zeitung commentator explains "why Wilhelm Furtwängler was the greatest conductor of all time." It is basically a video blog entry from a German newspaper web site burned onto a DVD. Decent comments, especially on the importance for the German people of Furtwängler during the war years.

我还以为朋友们不感兴趣，那就再来一点：
CD 21
Johannes Brahms (1833-1897)
1-4 Symphonie Nr. 1 c-Moll op. 68
Berliner Philharmoniker
10.02.1952
勃拉姆斯：C小调第一交响曲op. 68
柏林爱乐乐团
录音时间：1952.2.10
5 Variationen über ein Thema von Joseph Haydn op. 56a
Berliner Philharmoniker
20.06.1950
勃拉姆斯：海顿主题变奏曲op. 56a
柏林爱乐乐团
录音时间：1952.6.20

CD 22
Johannes Brahms (1833-1897)
1-4 Symphonie Nr. 2 D-Dur op. 73
Berliner Philharmoniker
07.05.1952
勃拉姆斯：D大调第二交响曲 OP.73
柏林爱乐乐团
录音时间：1952.5.7
5-8 Symphonie Nr. 3 F-Dur op. 90
Berliner Philharmoniker
27.04.1954
勃拉姆斯:F大调第三交响曲 OP.90
柏林爱乐乐团
录音时间：1954.4.27

CD 23
Johannes Brahms (1833-1897)
1-4 Symphonie Nr. 4 e-Moll op. 98
Wiener Philharmoniker
15.08.1950
勃拉姆斯:E小调第四交响曲op. 98
维也纳爱乐乐团
录音时间：1950.8.15
5 Ungarischer Tanz Nr. 1 g-Moll
6 Ungarischer Tanz Nr. 3 F-Dur
7 Ungarischer Tanz Nr. 10 F-Dur
Wiener Philharmoniker
01 & 04.04.1949
勃拉姆斯：匈牙利舞曲之1、3、10
维也纳爱乐乐团
录音时间：1949.4.1、4

CD 24
Johannes Brahms (1833-1897)
Konzert für Klavier und Orchester Nr. 2 B-Dur op. 83
Edwin Fischer, Klavier
Berliner Philharmoniker
08.11.1942
勃拉姆斯:B大调第二钢琴协奏曲op. 83
柏林爱乐乐团
录音时间：1942.11.8

CD 25
Johannes Brahms (1833-1897)
1-3 Konzert für Violine und Orchester D-Dur op. 77
Yehudi Menuhin, Violine
Lucerne Festival Orchestra
Sept. 1949
勃拉姆斯大调小提琴协奏曲op. 77
小提琴：梅纽因
卢塞恩节日乐团
录音时间：1949
4-6 Konzert für Violine, Violoncello und Orchester a-Moll op. 102
Willi Boskovsky, Violine
Emanuel Brabec, Violoncello
Wiener Philharmoniker
Jan. 1952
勃拉姆斯:a小调小提琴、大提琴双重协奏曲op.102
小提琴：波斯可夫斯基
大提琴：埃尔•布拉贝克（维也纳爱乐乐团大提琴首席）
维也纳爱乐乐团
录音时间：1952

CD 26
Johannes Brahms (1833-1897)
1-7 Ein deutsches Requiem op. 45
Kerstin Lindberg-Torlind, Sopran （女高音：克斯汀 林德伯格-拓林德）
Bernhard Sönnerstedt, Bariton（男中音：
Philharmonischer Chor Stockholm
Philharmonisches Orchester Stockholm
19.11.1948
勃拉姆斯：德意志安魂曲op. 45
斯德哥尔摩爱乐乐团
录音时间：1948.11.19

CD 27
Johannes Brahms (1833-1897)
1 Symphonie Nr. 1 C-Moll op. 68
Berliner Philharmoniker
23.01.1945
勃拉姆斯：C小调第一交响曲op. 68
柏林爱乐乐团
录音时间：1945.1.23

2 Symphonie Nr. 2 D-Dur op. 72
Wiener Philharmoniker
28.01.1945
勃拉姆斯：D大调第二交响曲op.72
维也纳爱乐乐团
录音时间：1945.1.28
3-12 Variationen über ein Thema von Joseph Haydn op. 56a
Sinfonieorchester des Norddeutschen Rundfunks
27.10.1951
勃拉姆斯：海顿主题变奏曲op.56a
北德广播交响乐团
录音时间：1951.1.27
13 Konzert für Violine und Orchester D-Dur op. 77
Gioconda de Vito, Violine
Orchestra sinfonica di Torino della RAI
11.03.1952
勃拉姆斯：D大调海顿小提琴协奏曲op.77
都灵广播交响乐团
小提琴：乔宫达.迪.维多（意大利女小提琴家）
录音时间：1952.3.11
14 Ungarischer Tanz Nr. 1 g-Moll
Berliner Philharmoniker
1930
勃拉姆斯：匈牙利舞曲第1首
柏林爱乐乐团
录音时间：1930
15 Ungarischer Tanz Nr. 10 E-Dur
Berliner Philharmoniker
1930
勃拉姆斯：匈牙利舞曲第10首
柏林爱乐乐团
录音时间：1930

CD 28
Anton Bruckner (1824-1896)
1-4 Symphonie Nr. 4 Es-Dur „Romantische“
Wiener Philharmoniker
19.10.1951
布鲁克纳：降E大调第四交响曲
维也纳爱乐乐团
录音时间：1951.10.19

CD 29
Anton Bruckner (1824-1896)
1-4 Symphonie Nr. 5 D-Dur
Wiener Philharmoniker
19.08.1951
布鲁克纳大调第五交响曲
维也纳爱乐乐团
录音时间：1951.8.19

CD 30
Anton Bruckner (1824-1896)
1-3 Symphonie Nr. 6 A-Dur
Berliner Philharmoniker
13.11.1943
布鲁克纳:A大调第六交响曲
柏林爱乐乐团
录音时间：1943.11.12
4 Symphonie Nr. 5 D-Dur
Berliner Philharmoniker
28.10.1942
布鲁克纳大调第五交响曲（片段）
柏林爱乐乐团
录音时间：1942.10.28

CD 31
Anton Bruckner (1824-1896)
1-4 Symphonie Nr. 7 E-Dur (Originalfassung)
Berliner Philharmoniker
23.04.1951
布鲁克纳:E大调第七交响曲
柏林爱乐乐团
录音时间：1951.4.23

CD 32
Anton Bruckner (1824-1896)
1-4 Symphonie Nr. 8 d-Moll
Berliner Philharmoniker
15.03.1949
布鲁克纳小调调第八交响曲
柏林爱乐乐团
录音时间：1949.3.15

CD 33
Anton Bruckner (1824-1896)
1-3 Symphonie Nr. 9 d-Moll
Berliner Philharmoniker
07.10.1944
布鲁克纳小调调第九交响曲
柏林爱乐乐团
录音时间：1944.10.7

CD 34
Joseph Haydn (1732-1809)
1-4 Symphonie Nr. 88 G-Dur Hob. I-88
Berliner Philharmoniker
05.12.1951
海顿：G大调第88交响曲
柏林爱乐乐团
录音时间：1951.12.5
5-8 Symphonie Nr. 94 „Mit dem Paukenschlag“ G-Dur Hob. I-94
Wiener Philharmoniker
25.09.1950
海顿：G大调第94交响曲
维也纳爱乐乐团
录音时间：1950.9.25

CD 35
Wolfgang Amadeus Mozart (1756-1791)
1-4 Symphonie Nr. 39 Es-Dur KV 543
Berliner Philharmoniker
08.02.1944
5-8 Symphonie Nr. 40 g-Moll KV 550
Wiener Philharmoniker
07 & 08.12.1948 & 17.02.1949
莫扎特：降E大调第39交响曲 KV543
柏林爱乐乐团
录音时间：1944.2.8
莫扎特：G小调第40交响曲 KV550
维也纳爱乐乐团
录音时间：1938.12.8、7；1949.2.17

CD 36
Wolfgang Amadeus Mozart (1756-1791)
1-7 Serenade Nr. 10 B-Dur für 13 Bläser KV 361 „Gran Partita“
Bläsersolisten der Wiener Philharmoniker
10, 19 & 28.11.1947 & 03.12.1947
莫扎特：B大调第10小夜曲 KV361
维也纳爱乐乐团独奏家成员
录音时间：1947.11.10、19、28；1947.12.3

8-11 Serenade Nr. 13 G-Dur KV 525 „Eine kleine Nachtmusik“
Wiener Philharmoniker
01.04.1949
莫扎特：G大调第13小夜曲 KV525
维也纳爱乐乐团
录音时间：1949.4.1

CD 37
Wolfgang Amadeus Mozart (1756-1791)
1-3 Konzert für Klavier und Orchester d-Moll KV 466
Yvonne Lefébure, Klavier
Berliner Philharmoniker
15.05.1954
莫扎特：D小调钢琴协奏曲 KV466
柏林爱乐乐团
钢琴：勒菲碧(1898-1986年)，法国钢琴家
录音时间：1954.5.15
4 Die Entführung aus dem Serail
Berliner Philharmoniker
1933
莫扎特：后宫诱逃
柏林爱乐乐团
录音时间：1933

CD 38
Wolfgang Amadeus Mozart (1756-1791)
1-3 Konzert für zwei Klaviere und Orchester Es-Dur KV 365
Dagmar Bella & Paul Badura-Skoda, Klavier
Wiener Philharmoniker
08.02.1949
莫扎特：降E大调双钢琴协奏曲KV 365
钢琴:贝拉（福尔特文格勒女儿）
钢琴：保尔 巴杜拉-斯科达
维也纳爱乐乐团
录音时间：1949.2.8
4-6 Konzert für Klavier und Orchester Nr. 22 Es-Dur KV 482
Paul Badura-Skoda, Klavier
Wiener Philharmoniker
27.01.1952
莫扎特：降E大调第22钢琴协奏曲 KV482
钢琴：保尔 巴杜拉-斯科达
维也纳爱乐乐团
录音时间：1952.1.27

CD 39
Wolfgang Amadeus Mozart (1756-1791)
Don Giovanni KV 527
1-22 Erster Akt
Don Giovanni: Cesare Siepi （塞萨尔•西艾皮，1923-2010，意大利男低音）
Donna Elvira: Elisabeth Schwarzkopf（施瓦茨科普夫，1915-，德国女高音）
Don Ottavio: Anton Dermota （安东 戴莫塔，南斯拉夫男高音）
Leporello: Otto Edelmann（奥托 爱德曼，1917-，奥地利男低音）
Masetto: Walter Berry（沃尔特•贝里，1929－2000，奥地利低音男中音）
Donna Anna: Elisabeth Grümmer（伊丽莎白•格吕梅尔，1911-1986，德国女高音）
Commendatore: Deszö Ernster (恩斯特，匈牙利男中音)
Zerlina: Erna Berger （贝尔格，1900—1990，德国女高音）
Chor der Wiener Staatsoper
Wiener Philharmoniker
06.08.1954
莫扎特：唐 乔瓦尼KV 527
维也纳爱乐乐团及合唱团
录音时间：1954.8.6

CD 40
Wolfgang Amadeus Mozart (1756-1791)
Don Giovanni KV 527
1-10 Erster Akt
11-23 Zweiter Akt
Don Giovanni: Cesare Siepi
Donna Elvira: Elisabeth Schwarzkopf
Don Ottavio: Anton Dermota
Leporello: Otto Edelmann
Masetto: Walter Berry
Donna Anna: Elisabeth Grümmer
Commendatore: Deszö Ernster
Zerlina: Erna Berger
Chor der Wiener Staatsoper
Wiener Philharmoniker
06.08.1954

CD 41
Wolfgang Amadeus Mozart (1756-1791)
Don Giovanni KV 527
1-13 Zweiter Akt
Don Giovanni: Cesare Siepi
Donna Elvira: Elisabeth Schwarzkopf
Don Ottavio: Anton Dermota
Leporello: Otto Edelmann
Masetto: Walter Berry
Donna Anna: Elisabeth Grümmer
Commendatore: Deszö Ernster
Zerlina: Erna Berger
Chor der Wiener Staatsoper
Wiener Philharmoniker
06.08.1954

我网上找了些资料还有对每张CD音效的评论，很详细但是都是英文的。我认为这个比丽君姐有趣多了，不是同一个级别的，应另开贴讨论。

请先生帮忙贴些上来，好吗？

都在上面了，用金山词霸或者有道字典对付就行了。

谢谢，看到了，前面没有仔细看，抱歉！

邓这套碟，只听了一耳朵，音质不咋地

原帖由 飞龙在天 于 2012-5-27 11:20:00 发表 “67”在广州话里面可是不太好的词，不过没关系啦，自己喜欢就好

请问为何 67 的回话，全部变成 该用户帖子内容已被屏蔽 ?

一次過擁有鋼琴大師Murray Perahia 40年來於Sony Classical推出之精彩作品 72CD+5DVD The First 40 Years 當中包括多款重未發表作品 更以超級超值價發售

感谢“飞龙在天”在我唱片购买中给予的支持，也表先生对我关心的谢意。近日潜心于音响器材之声的调整，未能及时回复大家，深表歉意；现将点滴所得借用贵贴报告，不妥之处请诸家斧正：
1.柴可夫斯基之降b小调第1号钢琴协奏曲，可谓家喻户晓，我年轻时听该曲追求灿然的管弦乐和声色彩以及富丽堂皇的“琴腔共鸣”声，故此常以为谁按键重、何人“拍”的响、哪一位“扫”键快以及乐队与钢琴对抗性强，便是“大师”版本；其实，真实的演奏不尽然，以李赫特与卡拉扬合作版本（DG版）为例，第一乐章是Allegro non troppo e molto maestoso - Allegro con spirito（不太快的和极其庄严的快板—生气勃勃的快板），请注意“庄严的快板”，乐曲在法国号带动下的强奏后交由小提琴和低音弦乐组展开主题，钢琴声部以和弦伴奏形式进入，对于这部分的演奏我以前认为是钢琴的“敲击”应和乐队同一“响度”，和弦下的钢琴声昭示者主人的出现，但是其“脚步声”不是军列队般雄壮、威严、笨拙，而是坚定的步伐，调整完毕的器材声告诉我，李赫特在弹奏这部分和弦时富有穿透力的琴声仅用上手指和手腕的力量而已，非“压迫“琴键——大师的控制力尽显无遗矣！
2.诸位皆知，贝多芬在维也纳立足是以钢琴家生份，乐圣的弹琴功夫无法领教，但是他的C小调第三钢琴协奏曲，掷地有声证明他是一位键盘技术高超的演奏家，来，请听米开朗杰里与朱利尼合作的该曲演奏（DG出版，现场录音），简单一句：晶莹剔透的上行、下行琶音，雄壮的八度和弦在别的录音中能“见”几何？
3.莫扎特在写G大调第一弦乐四重奏时年仅14，作曲手法尚未“老道”，可是该曲的“慢板”乐章之主题主奏交由中提琴和大提琴，而第一、二小提琴进行呈现，再请聆听意大利弦乐四重奏组的表演，第一小提琴呈示该洛可可风格主题时，边上的第二小提琴迟缓的从低声部走向高声部时，所形成的和声效果（注：此处音响声不能将第二小提琴高音部显得过于突出——声部的层次性），我不得不掩面感叹“天才”的不可再现，因为这种手法在贝多芬晚期弦乐四重奏才得以重现。

另外请教，柴一钢协，大家有个公认的版本，就是 DG 李赫特 那款中价版。拉 3 钢协也有 霍洛维慈 。这两个版支持者都是一边倒！

但是 贝五，皇帝钢协，好像唱片书里也没提及那个版最好。菲利普 阿劳，跟 米开朗杰 的皇帝钢协 都各有各好。也没有一边倒的情况出现。皇帝 钢协那个版是让你感到最好的？

回先生，菅野沖彦曾提出“唱片演奏家”的观点，对此说法众多，我的理解是：“唱片”为软件，“演奏家”为器材之声，故二者为统一体，体现在发烧友对音乐的理解层面上。经典音乐具有多种演奏可能性，我们通过唱片聆听，优秀唱片版本对于乐谱的演奏非一成不变，变则可在音高、节拍、强弱，固者为音符；变因理解和表达所需，不变为忠实原谱；唱片的录制过程皆因设备、场地、录音和后期制作而产生音效和音色之变化；音响器材也因品牌、材料、线路、设计者调声技术而产生各异，然发烧友应有自己的“声音方向”，即不变之理（此问题留待坛下交流）。先生言及贝多芬第五钢协、老柴钢一，可选版本众若星云，不可枚举，建议勿用“最好”之词，我可根据先生所需提供些许参考，譬如前者老柴钢一（李赫特与卡拉扬合作版本），也非十全十美之版，请听第二乐章具有田园气息的主题，长笛和双簧管与钢琴合奏变出现节拍的背道而行，实为败笔，此类问题在第三乐章中时有出现，即便如此，我们不会将此唱片废弃，事物非完美才显价值。我不赞成将“体操般”失去音乐灵魂的演奏奉作“最佳”，也不同意因演奏技术退化或偷懒将原音漏弹挂上“艺术境界”的招牌。我要在唱片里听到演奏之声告诉我什么？聆听经验要求我不要被旋律感动。
随缘吧。。。

有时间推荐一张 皇帝 钢协版本给我听听。

图上是68CD+5DVD,怎么是72CD呢？