nnd，是粗心马虎还是有意欺骗？ [复制链接]

                         可怜的娃，想买新录音买了老录音（。。。。。。。。。。。。

nnd，幸灾乐祸。

看封面照就不是新录音嘛^_^

目录上的封面是阿姐的近照，那叫一个老哦。

应该是是粗心马虎吧...

阿姐很长时间不搞独奏录音了。

These previously unpublished German Radio broadcast recordings (all but one from 1967) capture Martha Argerich's Chopin at its youthful peak: impetuous, rhapsodic, musically loaded for bear, and pianistically uncanny.
The disc opens with a fervent and daring G minor Ballade from 1959--the 18-year-old Argerich already was Argerich. The Op. 59 No. 1 and 2 Mazurkas' winsome rubatos and dynamic taperings do not substantially differ from those on Argerich's 1967 DG Chopin solo disc. By contrast, No. 3 from the same group pushes a little harder and contains similarly telegraphed phrases (that is, where the right hand slightly anticipates the downbeat).

My opening sentence adjectives particularly apply to the B minor sonata, which essentially adheres to the studio recording's game plan, but with a more expansive Largo in tow. While the rippling calm of the Op. 15 No. 1 Nocturne's outer sections proves more satisfying than Argerich's less stable 1965 EMI version, Op. 55 No. 2's sublime polyphonic web occasionally tangles and overheats. Overheating, however, doesn't hurt the Op. 10 No. 4 Etude, served up with impressive finger power and nervous energy, notwithstanding an overpedaled coda.

Perhaps a group of five mazurkas (four of them previously unrecorded by Argerich) best profile the pianist's individuality. Her fluid rubato and ethereal melody/accompaniment separation create a hypnotic languor in the E minor Op. 41 No. 1 and F minor Op. 63 No. 2 pieces. The C-sharp minor Op. 41 No. 4 begins deliberately, working its way up to controlled abandon. Little rhythmic kicks and offbeat stresses lend interest to the D major Op. 33 No. 2's repeating main strain, while the quirky C major Op. 24 No. 2 is lithe and uncommonly brisk--it nearly finishes before it starts. The less said about Jürgen Otten's fatuous program notes, the better, yet one cannot say enough about vintage Argerich.

--Jed Distler, ClassicsToday.com

1.  Ballade for Piano no 1 in G minor, B 66/Op. 23 by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1831-1835
  Date of Recording: 1/26/1959
Venue:  Studio 7, RIAS



2.  Etudes (12) for Piano, Op. 10: no 4 in C sharp minor, B 74 by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1832; Poland
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



3.  Mazurkas (4) for Piano, Op. 41: no 1 in C sharp minor by Frédéric Chopin

Period: Romantic
Written: 1839; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



4.  Mazurkas (4) for Piano, Op. 41: no 2 in E minor by Frédéric Chopin

Period: Romantic
Written: 1838; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



5.  Mazurkas (4) for Piano, B 89/Op. 24: no 2 in C major by Frédéric Chopin

Period: Romantic
Written: 1834-1835; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



6.  Mazurkas (3) for Piano, B 162/Op. 63: no 2 in F minor by Frédéric Chopin

Period: Romantic
Written: 1846; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



7.  Mazurkas (4) for Piano, B 115/Op. 33: no 2 in D major by Frédéric Chopin

Period: Romantic
Written: 1837-1838; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



8.  Nocturnes (3) for Piano, Op. 15: no 1 in F major by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1830-1833
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



9.  Nocturnes (2) for Piano, B 152/Op. 55: no 2 in E flat major by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1843; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



10.  Mazurkas (3) for Piano, B 157/Op. 59 by Frédéric Chopin

Period: Romantic
Written: 1845; Paris, France
  Date of Recording: 10/31/1967
Venue:  Concert Hall 2, WDR Köln



11.  Sonata for Piano no 3 in B minor, B 155/Op. 58 by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1844; Paris, France
  Date of Recording: Live 3/15/1967
Venue:  Hochschule für Musik, Berlin

那要投诉的，眼看就315了。
请问肖邦兄，这枚单声道录音的转制如何？

整张都是单声道？？

按倒霉处理！

说说听感啊~

原帖由 scfan 于 2010-3-5 12:39:00 发表 那要投诉的，眼看就315了。 请问肖邦兄，这枚单声道录音的转制如何？

除了第一首g小调叙事曲是1959年的录音稍差点，其它都是1967年的录音，基本尚可。

封底标的都是单声。

呵呵，只粗听了一遍，依然是阿姐的一贯风格，下手干净利索，没什么深思熟虑的，第三奏鸣曲是现场，比她在DG的录音室版还要快。

DG又翻出了古尔达的两张肖邦录音，也是单声道，想想他那套莫扎特奏鸣曲的糟糕录音，搞得我都不敢买了。

需要这张新片的人可以找我
http://item.taobao.com/auction/item_detail-0db1-d03e68868847c29d09ab4d66ab84e9cd.htm

正说打算入手这张，却刚在外国BT网上下了，听了后单声道不说，演绎上个人听了没什么感觉。DG这次不过是炒的是概念股。

肖邦兄想听阿姐的新录音，不妨找找DVD，近年来阿姐在欧洲的不少现场都出的DVD，比如07-08年在瑞士Verbier的独奏现场，08年萨尔斯堡音乐节的现场（和Capucon兄弟以及杜达梅尔合作贝多芬三重协奏曲）