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EMI第一个立体声古典音乐录音：
普罗科菲耶夫：第1、5交响曲 马尔科指挥爱乐乐团 （1955.2）
“We can only guess at emotional punch which Koussevitzky might have packed in Prokofiev’s 7th Symphony (which he did not live to know) and we know what various other Russian conductors have done with it. Without any lack of power or vitality, the lasting impression of Malko’s performance is of an almost Mozartian classicism. Since any other approach will, by its nature, emphasise some elements at the expense of others it has to be said that, whatever the thrills and spills offered elsewhere, Malko makes us realise what a very fine symphony this is.
Although it was originally issued in mono, this was EMI’s first stereo recording. It had a longish catalogue life (coupled with the same composer’s 1st Symphony) and, since it still sounds well, it remains a pretty well ideal version for repeated listening.”
We can only guess at emotional punch which Koussevitzky might have packed in Prokofiev’s 7th Symphony (which he did not live to know) and we know what various other Russian conductors have done with it. Without any lack of power or vitality, the lasting impression of Malko’s performance is of an almost Mozartian classicism. Since any other approach will, by its nature, emphasise some elements at the expense of others it has to be said that, whatever the thrills and spills offered elsewhere, Malko makes us realise what a very fine symphony this is.
Although it was originally issued in mono, this was EMI’s first stereo recording. It had a longish catalogue life (coupled with the same composer’s 1st Symphony) and, since it still sounds well, it remains a pretty well ideal version for repeated listening.
