yipming 在 2003-8-15 22:34:54 发表的内容
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请问诸位兄台有谁听过,能否谈谈感受! |
Ariel Ramirez: Missa Criolla
Anon./G. Haazen: Missa Luba (Eine afrikanische Messe)
R. Fernandes de Lartorre: Misa Flamenca
Philips, 456 629-2
Missa Criolla:
José CARRERAS, Tenor
Ariel RAMIREZ, Klavier & Cembalo
Domingo Cura, Jorge Padin, Schlagzeug
Arsenio Zambrano, Charango
Lalo Gutierrez, Gitarre
Raul Barboza, Akkordeon
Grupo Huancara, Südamerikanische Volksinstrumente
CHORAL SALVÉ DE LAREDO - SOCIEDAD CORAL DE BILBAO
José Luis Ocejo
Missa Luba:
Peter Kamau, Thomas Ogutu, Nancy Kamau, Paul Kanyanja, Peter Kiarie, Schlagzeug
MUUNGANO NATIONAL CHOIR, KENYA
Boniface Mganga
Missa Flamenca:
Rafael Romero, Pericón de Cádiz, Pepe "El Culata" und Los Serranos, Gesang
Victor Monje "Serranito", Ramon de Algeciras, Gitarre
Chor "Maitea" und Mitglieder des "Coro Easo"
Andalusische Instrumentalgruppe
José Torregrosa
Tolle, mit einer Gesamtspielzeit von 61:45 gut gefüllte CD, deren Prunkstück sicherlich die Misa Criolla des Argentiniers Ariel Ramirez ist.
Zu der Veröffentlichung im Jahre 1988 (als 420 955-2PH) urteilte Gramophone:
"Philips first recorded Ariel Ramirez's Misa Criolla shortly after its composition in 1964; it went on to become one of their best-selling discs—some three million copies have apparently been sold to date. However, a new digital recording was perhaps understandable for so popular a work and Jose Carreras an obvious choice of soloist.
Ariel Ramirez, born in 1921, draws on the metres and rhythms of Latin-American music, and employs dance forms from Argentina, Bolivia and Peru; it is music that is heartwarmingly approachable, of a light, devotional kind. In trying to characterize it I was reminded of parts of Orff's Carmina burana and Britten's church parables, though here the accompaniment to soloists and chorus is provided by varying instrumental combinations including, besides percussion, a guitar, accordion, five-string charango and various other Latin-American folk instruments. Only the Navidad en Verano has purely solo piano accompaniment (here played by the composer), representing something of an intrusion into the otherwise more brightly coloured sound to be heard on the disc. Nothing better exemplifies the variety to be heard in the Misa Criolla, though, than the way it ranges from the Gloria, with its hints of South American carnival, to the final Agnus Dei with harpsichord accompaniment.
The solo vocal part calls for no great virtuosity or intensity, but it is ideally suited to Carreras's light, lyrical tenor. His admirers will need no encouragement, of course, and others too should find this music offers an undemanding and rewarding experience."
